The Onset of Marginalization in Kavita Kane’s Karna’s Wife: The Outcast Queen
The
Onset of Marginalization in Kavita Kane’s Karna’s Wife:
The
Outcast Queen
E.Kalpana
Assistant Professor of English
V.V.Vannia Perumal
College For Women, Virudhunagar-1
The epics are a much familiar topic
to the people of India. But writers like Mahaswetha Devi, Girish Karnad,
Kavitha Kane still prefer to write about the twin epics namely Ramayana and
Mahabharatha. Their attempt is not to generate new epic out of it but their
strand in narrating the same old epic marks all the difference. The writer
Kavitha Kane has done the same. She has attempted to tell Mahabharatha from
Uruvi, Karna’s wife’s point of view. As for her strand, she has taken the side
of the deprived in narrating the tale. The seed of marginalization was strewn
throughout the human history and the consequence of which we ripe in the name
of casteism. The present study has aimed at validating the point that epics are
the onset of marginalization in Indian scenario. The area of study has been
further narrowed down, taking up the epic narration of Kavita Kane in Karna’s wife: The Outcast Queen. Attempts
have been made to substantiate the point by quoting the humiliations of Karna”
the eternal pariah”( KW13).
The
first few chapters of the novel depict the introduction of Karna and the
humiliation which he undergoes as a sudhaputra, a low-borne. The remaining
chapters depicts the humiliation and the power of resilience of Uruvi
who chooses Karna as her groom in
her swayamwara against all odds. The
very first chapter is a recollection of Uruvi of the splendid day when she saw
Karna for the first time. It was the day of the Archery contest. Karna, the more skilled archery was about to
defeat Arjuna in the contest where the question of identity was raised. Perhaps
they could have sensed that his identity would pull him down. The words of
Kripacharya stressed the point that only a kshatriya, a high-born can fight
another Kshatria in a tournament. The radiant face of Karna dimmed, his proud
head bowed in despair. Though Duryodhana proclaim him as the king of Anga, he
was denounced by others as the son of a charioteer. This is the first instance
of humiliation occurred to him. Karna who “accepts other for what they are and
accepts himself as well. He makes no secret of the fact that he is a sutaputra
and is not ashamed of it”( KW:62) felt the agony for the first time of being a
low- born.
As it is known that Karna is born
out of wedlock to Kunthi and the sun God- Suryadev. It is also a known fact
that the childe was abandoned and brought up by a low-born charioteer. He had
been raised in his household like a king. Not knowing the least humiliation.
But he was besmeared and disgraced when he aspired to excel the so called high
born. The second incidence of great humiliation occurs to Karna at the
swayamwara of Draupadi. When Karna, the master archer ventures to participate
in the contest she protested telling “I am a king’s daughter … a bride won by
the worthiest and the very best. I will not allow a low-born sutaputra to
participate in the challenge. Please do not proceed.”(KW,31). Draupati words
agonize Karna as nothing else had ever done. The memory remained a raw lesion
that festered him throughout his life.
But the decision of Uruvi came as a
great medicine healing his wounded self.
After the wedding of Uruvi and Karna
there is an instance where she visits Bishesma pitha Who has always been her
favorite. He expressed his pain of Uruvi’s choice but assures her that she has
married a worthy man calling him as an “extraordinary man”. All she could
receive was a gentle accusation against Karna. At the end, on an impulse
she dared to ask few questions before she leaves .she asked him - why is there a merit added to
Arjuna when there is a mention of both of them. She emphasized the point that
in the archery contest, Arjuna won not because of his merits but by the merit
of his noble birth. She asks him “is that not so unfair that it has blown up a
huge wrong?”(KW, 62). The reply of Bhishma was not an answer but a rhetorical
question which was so utterly blunt because he knows as a learned man what it
is meant to be righteous. He asks her “Have you ever wondered why such a fine
man like your husband joined with the Kauravas?”(KW,62). Thus he hushed her
hunger for justice.
Many of the earlier epic renderings
were only an eulogy of the deeds of Kauravas. But the latest generation has
started using their rational intelligence in discerning righty and wrong. They
dared to portray he lopsided part of the epics too. What the epics have done is
not a worthy massage of peace as it is expected of but the absurd idea of
marginalization instead. The incidents quoted above are few evidences of the Epics’
proliferation of varna sastra. Here
it may be necessary to quote Sashi Throor’s mentioning of Hinduism in his book India from Midnight To The Millennium And
Beyond:” I am prepared to concede that Hindu fanaticism –which ought to be
a contradiction in terms, since we have no dogmas to be fanatical about--- its
partly a reaction to other chauvinism”(59). What more fanaticism did a religion need than
what is called the varna sastra. It
is perhaps the Hindu religion which has the worse dogma namely a varna sastra which the epics advocate. No
religion belittles and segregates their fellow beings so adversely like the Hindu
religion said in the epics. It says a
person’s merit is determined by his birth .The aim of the research article is
not to find fault with the Hindu religion altogether but what the religion has
been turned out to be. If the epics were real incidents that happened in some
remote past, there is no doubt that it initiated the present practice of
marginalization. If it were mere myths even then it marks the onset of
marginalization. For it is earliest known record evidencing the idea of social
hierarchy.
Primary source:
Kane,Kavita.Karna’s Wife:The Outcast Queen.New
Delhi:Rupa Publication,2013 print.
Secondary source:
Tharoor,Shashi.India From Midnight To The Millennium And
Beyond. New Delhi:Penguin Publishers, 2007print.
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