TNTRB ASSISTANT PROFESSOR ENGLISH STUDY MATERIAL -II

 MIDDLE ENGLISH AUTHORS (PART 1)

1. Geoffrey Chaucer (1343–1400)

“Father of English Literature”

“Father of English Poetry”

“Father of English Language”

“Morning Star of Renaissance”

“Father of English Realism”


1.1 Life and Background

Geoffrey Chaucer was born in London around 1343 into a prosperous wine-merchant family. England at this time was undergoing major changes: the Black Death, the Hundred Years’ War, the rise of a merchant middle class, and the breakdown of feudal values. Chaucer worked as a page in the royal household, later becoming soldier, diplomat, courtier, controller of customs, clerk of the works, and Member of Parliament. These varied duties allowed him to meet every social class — knights, priests, merchants, peasants, sailors, women of all statuses. This exposure shaped his realistic portrayal of society.

Chaucer travelled widely (France, Spain, Flanders, Italy). His visits to Italy introduced him to Dante, Boccaccio, and Petrarch — a turning point that brought classical humanism into English poetry. He died in 1400 and was buried in Westminster Abbey. His tomb inaugurated the famous “Poets’ Corner”.


1.2 Chaucer’s Literary Career (Three Phases)

A. The French Period (up to 1372)

Influenced by French romances and allegories.
Major works:

  • The Book of the Duchess (elegy for Blanche of Lancaster)
  • The Romaunt of the Rose (translation/adaptation)

B. The Italian Period (1372–1384)

After exposure to Dante, Petrarch, Boccaccio.
Major Works:

  • The House of Fame
  • The Parliament of Fowls
  • Troilus and Criseyde (his greatest love-tragedy)
  • The Legend of Good Women

C. The English Period (1384–1400)

Chaucer’s mature voice; truly English in spirit.
Major Work:

  • The Canterbury Tales (his masterpiece)

1.3 Chaucer’s Style

  • Introduced iambic pentameter
  • Used heroic couplet for the first time in English
  • Blends realism + humour + irony
  • Sensitive to human psychology
  • Uses natural English speech
  • First great portrayer of women characters
  • Characterization through prologue description + dramatic dialogue

1.4 Chaucer’s Major Works

The Canterbury Tales

His greatest contribution. A group of 29 pilgrims at the Tabard Inn in Southwark decide to travel to Canterbury and tell stories. Planned as 120 tales; completed only 24.

The General Prologue gives immortal portraits:

  • Knight
  • Squire
  • Prioress
  • Wife of Bath
  • Monk
  • Friar
  • Pardoner
  • Summoner
  • Clerk of Oxford
  • Ploughman
  • Miller
  • Reeve, Cook, Franklin, Physician — many more

Chaucer mixes satire, humour, irony, and realistic observation. His portrayal of the Church is critical but not malicious.


Troilus and Criseyde

A tragic love story based on Boccaccio.
Important elements:

  • Deep psychological insight
  • Criseyde as a complex woman (not villain, not saint)
  • Emotional depth unprecedented in English literature
  • Sometimes called “the first English novel” (in verse form)

The Parliament of Fowls

First dream vision introducing Valentine’s Day theme in English literature. Birds choose mates under the guidance of Nature.


The House of Fame

A dream poem describing the instability of reputation, fame, and news — strikingly modern.


The Legend of Good Women

Chaucer celebrates faithful women from classical myths. He was asked by the God of Love to make amends for portraying unfaithful Criseyde.


1.5 Chaucer’s Importance in English Literature

  • Raised English to a literary language (alongside French and Latin)
  • Human nature portrayed with realism, sympathy, humour
  • Foundation of English poetic tradition
  • Influenced Spenser, Shakespeare, Dryden, Pope, Wordsworth, Eliot

2. William Langland (1330–1386?)

“The Poet of Social Conscience”

“The Voice of the Poor in Medieval England”


2.1 Life & Background

Not much is known, but believed to be:

  • Born in Shropshire
  • Poor clerk or minor cleric
  • Lived through the Black Death, Peasant Revolt, and Church corruption
  • Witnessed poverty and suffering of peasants

This shaped his angry, moralistic view of society.


2.2 Major Work: Piers Plowman

One of the greatest allegorical poems in English.

Structure

  • Written in alliterative verse
  • Contains passus (stages) instead of chapters
  • Three versions: A-text, B-text, C-text

Plot Overview

Narrator “Will” falls asleep and sees a series of allegorical visions involving:

  • Holy Church
  • Lady Mede (bribery)
  • Piers the Plowman (Christ figure)
  • Seven Deadly Sins
  • Reason and Conscience
  • Christ’s Harrowing of Hell
  • Antichrist, Do-Well, Do-Better, Do-Best

Themes

  • Corruption in Church and State
  • Hypocrisy of clergy
  • Salvation through work and honesty
  • Critique of aristocracy
  • Sympathy for the oppressed

Unlike Chaucer’s humorous tone, Langland is serious, moralistic, almost prophetic.


3. John Gower (1330–1408)

“Moral Gower” (named by Chaucer)

Tri-lingual poet — wrote in Latin, French, English


3.1 Major Works

Speculum Meditantis (French)

Moral and religious poem.

Vox Clamantis (Latin)**

Describes the Peasants’ Revolt of 1381.
Criticizes social disorder, corruption, and weak kingship.

Confessio Amantis (English)**

His greatest English poem.

  • 20,000 lines
  • A lover confesses sins to Genius, priest of Venus
  • Contains hundreds of stories from mythology, Bible, and history

Gower is more moralistic and didactic than Chaucer.


4. Sir Thomas Malory (1405–1471)

“Father of English Prose Romance”

Author of Le Morte d’Arthur


4.1 Le Morte d’Arthur

Published in 1485 by William Caxton (first English printer).
Great compilation of Arthurian legends:

  • Arthur
  • Merlin
  • Guinevere
  • Lancelot
  • Gawain
  • Mordred
  • Quest for the Holy Grail

Themes

  • Chivalry
  • Loyalty
  • Betrayal
  • Idealism vs. human weakness

Malory created the standard Arthurian narrative for English culture.


5. Minor Middle English Authors

  • Pearl Poet (Sir Gawain and the Green Knight, Pearl, Patience, Cleanness)
  • Mystery/Morality Play authors (anonymous)
  • Julian of Norwich (Revelations of Divine Love)
  • Margery Kempe (The Book of Margery Kempe) — first English autobiography


 Middle English Notes 

Topics include:

  • Norman Conquest
  • French influence
  • Middle English dialects
  • Feudalism
  • Church power
  • Rise of Middle Class
  • Early poetry
  • Allegory
  • Alliterative revival

INTRODUCTION TO THE MIDDLE ENGLISH PERIOD

INTRODUCTION: THE TRANSFORMATION OF ENGLISH (1066–1500)

The Middle English period is one of the most dynamic, transformative, and culturally significant phases in the entire history of English literature. It begins with the Norman Conquest of England in 1066, an event that completely reshaped the linguistic, political, and social structure of the country. Old English, which had been a Germanic language rich in inflections and alliterative traditions, underwent a profound transformation when French-speaking Normans took control. As a result of this cultural collision, English absorbed large amounts of French vocabulary, simplified its grammar, shifted its sound system, and eventually emerged as a flexible, expressive, modern European language.

The Middle English period stretches for nearly 450 years, covering profound moments in English history — the feudal system, the Crusades, the Black Death, the Peasants’ Revolt, the growth of towns and guilds, the decline of Catholic Church authority, and early stirrings of Renaissance thought. These historical forces shaped not only the English language but also the literature produced during this age.

This period produced some of the greatest early masterpieces of English literature, including the works of Geoffrey Chaucer, William Langland, John Gower, the Pearl Poet, Julian of Norwich, Margery Kempe, and Sir Thomas Malory. It also gave rise to distinctive genres such as allegory, romance, moral and mystical writing, chivalric prose, and drama in the form of miracle and morality plays.

The age is marked by linguistic diversity, social tension, and new literary forms. It stands between the heroic world of the Anglo-Saxons and the intellectual humanism of the Renaissance. For this reason, the period is often called “the bridge between the medieval and modern world.”


THE NORMAN CONQUEST OF 1066 — A TURNING POINT

The Middle English period officially begins in 1066, when William the Conqueror, Duke of Normandy, invaded England and defeated King Harold at the Battle of Hastings. This victory brought the Normans — descendants of Vikings who had settled in northern France — into complete control of English territory.

Why is the Norman Conquest important?

Because it created the trilingual culture that defined the Middle Ages in England:

  1. Norman French — language of the court, aristocracy, law, government, literature.
  2. Latin — language of church, scholarship, theology, science.
  3. Middle English — language of common people, merchants, peasants, and eventually writers.

For more than 200 years after 1066, French rule dominated political and cultural life. The kings of England were French-speaking, and French customs shaped the court. Many French nobles settled in England, bringing new tastes, fashions, administrative systems, and literary traditions.

This created a powerful linguistic hierarchy:

  • High-class: French
  • Learned class: Latin
  • Ordinary people: English

But this situation changed gradually — and dramatically — over the next three centuries as English reasserted its identity.


IMMEDIATE EFFECTS OF THE CONQUEST ON LITERATURE AND CULTURE

1. Replacement of Old English Nobility

Most Anglo-Saxon lords were dispossessed and replaced by Norman barons loyal to William.
This brought:

  • A new aristocratic culture
  • New ideals of chivalry, knighthood, courtly love
  • French literary tastes (romances, chansons, allegory)

2. Destruction of Old English Literary Tradition

Old English prose and poetry production slowed sharply.
Monastic scriptoria lost centrality.
Alliterative verse nearly disappeared.
French and Latin texts became dominant.

3. French Vocabulary Influx

Nearly 10,000 French words entered English.
Major areas influenced:

  • Government: crown, parliament, justice
  • Food: beef, pork, mutton
  • Culture: beauty, pleasure, fashion
  • Society: prince, noble, servant
  • Literature: romance, poet, prose

4. English Grammar Simplification

Middle English lost many:

  • inflections
  • case endings
  • grammatical genders

English became easier, more flexible, more analytical.


THE TRILINGUAL CULTURE OF MEDIEVAL ENGLAND

One of the most important features of the Middle English period is that it was multilingual. Different classes spoke different languages:

1. The Court and Nobility — French

Used for:

  • Royal officials
  • Legal procedures
  • Diplomatic negotiation
  • Court poetry
  • High literature

2. The Church and Scholars — Latin

Used for:

  • Theology
  • Philosophy
  • Bestiaries
  • Sermons
  • Histories and chronicles

3. The Common People — Middle English

Used for:

  • Daily speech
  • Commerce
  • Folk stories
  • Local songs and ballads

By the 14th century (Chaucer’s time), English rose again as a literary language and began replacing French in many roles.

RISE OF MIDDLE ENGLISH AS A NATIONAL LANGUAGE

Although French dominated political and aristocratic life after 1066, English did not disappear. Instead, it survived in the speech of common people, merchants, and regional communities. Over time, many key events caused English to re-emerge as a national language.

1. Intermarriage and Social Integration

Normans and Anglo-Saxons gradually intermarried. By the late 12th century:

  • French barons had English-born children
  • Many aristocrats spoke both French and English
  • French began to lose status as the “prestige language”

This blending eroded strict class barriers between French and English speakers.


2. Decline of French Influence

Two major events reduced the dominance of French in England:

A. Loss of Normandy (1204)

King John lost Normandy to France.
As a result:

  • English aristocrats lost lands in France
  • They became “more English than French”
  • French political ties weakened
  • English nationalism grew

B. The Hundred Years’ War (1337–1453)

War between England and France strengthened:

  • English pride
  • English identity
  • English language use
  • Anti-French feeling

This war is indirectly responsible for the resurgence of English literature in the 14th century.


3. English Replaces French in Government

A series of laws re-established English as the main administrative language.

1258 — First Official Document in English by Royal Chancery

Henry III’s proclamation used English for the first time in government.

1362 — Statute of Pleadings

Declared English as:

  • The language of courts
  • The language of legal proceedings

French was officially replaced.

1385 — Schools Begin Teaching in English

English becomes:

  • Medium of instruction
  • Language of grammar schools

1399 — English Used in Coronation

Henry IV became the first king to deliver his coronation speech in English.

By 1400, English had fully returned as the language of nation and literature.


THE DEVELOPMENT OF MIDDLE ENGLISH DIALECTS

Middle English was not a single uniform language. Instead, it existed as five major dialects, influenced by local history, geography, and political centers.

1. Northern

  • Spoken in: Yorkshire, Northumbria, Scotland
  • Strong Scandinavian influence
  • Features:
    • “a” for “I” (“a saw him”)
    • Plural –s endings
  • Literature: Early ballads, Cursor Mundi

2. West Midlands

  • Spoken in western England
  • Conservative, retained some Old English features
  • Used by: Pearl Poet (Sir Gawain and the Green Knight)

3. East Midlands (Most Important)

  • Spoken around: Cambridge, Oxford, London
  • Became the foundation of Modern English
  • Used by Chaucer, Langland, Gower
  • Reasons for dominance:
    • London was political center
    • Thames River route spread dialect
    • Universities used it
    • Commercial guilds adopted it

4. Southern

  • Retained many Old English features
  • Used by religious writers
  • Less influential in later literature

5. Kentish

  • Spoken in Kent region
  • Some unique spellings and pronunciation patterns
  • Used for sermons and local chronicles

SOCIAL AND CULTURAL BACKGROUND OF THE PERIOD

Understanding the Middle English age requires knowledge of major institutions and forces shaping life.


1. The Feudal System

Introduced by William after 1066.
Hierarchy:

  1. King
  2. Barons / Lords
  3. Knights
  4. Peasants / Serfs

Effects on Literature

  • Growth of romances about knights
  • Ideals of loyalty, honor, bravery
  • Rise of Arthurian myths
  • Celebration of chivalry and adventure

Romances became the most fashionable aristocratic genre during 12th–13th centuries.


2. The Catholic Church

The most powerful institution of medieval Europe.

Influence on Literature

  • Monasteries produced manuscripts
  • Latin scholarship dominated
  • Morality themes spread
  • Allegory became popular (e.g., Piers Plowman)
  • Mystery and Miracle plays developed

The Church shaped spiritual, moral, and intellectual life.


3. Rise of Towns, Guilds & Merchant Class

After the 12th century, England saw:

  • Rapid urban growth
  • Emergence of merchants, craftsmen, bankers
  • Decline of feudal rural life

Literary Impact

  • Demand for English literature increased
  • More secular writing
  • More satire of clergy (Chaucer)
  • Rise of drama through guild-supported plays

This new class changed the direction of literature from purely religious to more social and realistic themes.


4. Major Social Crises of the Age

Three huge events reshaped Middle English society:

A. The Black Death (1348–1351)

  • Killed nearly one-third of the population
  • Labor shortage
  • Decline of serfdom
  • Rise of wages
  • Social mobility increased

B. The Peasants' Revolt (1381)

  • Led by Wat Tyler
  • Response to unfair taxes
  • Reflected anger against aristocracy
  • Influenced Langland and Gower

C. Church Corruption

  • Sale of indulgences
  • Immoral clergy
  • Materialism
  • Rise of reform movements

These crises generated literature filled with social criticism, realism, and human suffering.

FEATURES OF MIDDLE ENGLISH LITERATURE

Middle English literature reflects massive transformation in language, culture, society, and literary taste. Its primary features can be classified into linguistic, thematic, and generic characteristics.


1. Linguistic Features

A. Shift from Alliteration to Rhyme

Old English poetry used alliteration; Middle English poetry increasingly adopted:

  • end-rhyme
  • syllabic meter
  • stanza divisions
  • iambic rhythms

Chaucer eventually perfected iambic pentameter and heroic couplet, which became dominant in later English poetry.

B. Simplification of Grammar

  • Loss of case endings
  • Reduced inflections
  • Simplified verb forms
  • Greater reliance on word order

This made the language more flexible and accessible for literary creativity.

C. Massive French Vocabulary Influence

Words relating to:

  • government (council, crown, parliament)
  • fashion (robe, apparel, beauty)
  • food (beef, mutton, pork)
  • arts (romance, music, poet)

This fusion gave Middle English richness and expressive power.


2. Thematic Features

A. Chivalry & Knighthood

Romances were filled with:

  • daring knights
  • magical quests
  • courtly love
  • loyalty to the lord
  • tests of honor

Arthurian literature flourished.

B. Religion & Morality

The Church deeply influenced life and literature.

Themes:

  • sin and salvation
  • divine justice
  • moral allegory
  • visions of heaven and hell

Langland’s Piers Plowman is the greatest moral allegory of this age.

C. Realism

Especially in Chaucer:

  • lively depiction of common people
  • humor, irony, satire
  • realistic speech patterns
  • portraits of different professions

Middle English marked the beginning of realistic literature in English.

D. Social Criticism

Causes:

  • corruption in the Church
  • class exploitation
  • unfair taxes
  • moral decay of aristocracy

Literature became a vehicle for protest and social reform.

E. Rise of Women’s Voices

For the first time:

  • women appear as complex characters (e.g., Wife of Bath)
  • women writers like Julian of Norwich and Margery Kempe emerge

3. Literary Genres of Middle English Period

The era was extraordinarily rich in genres. The most important are:


A. Romance (Most Popular Genre)

Features:

  • knightly adventures
  • quests for honor
  • enchanted forests, dragons, giants
  • courtly love
  • moral testing

Subtypes

  • Breton lais
  • Arthurian romances
  • Crusade romances
  • Classical romances (adaptations of Troy, Alexander)

Authors:

  • Chrétien de Troyes (French influence)
  • English romances like Sir Orfeo, King Horn, Havelok the Dane
  • Later perfected in English prose by Sir Thomas Malory

B. Allegory

An allegory uses symbolic characters and events to express moral, religious, or political ideas.

Major allegorical works

  • Piers Plowman (Langland)
  • Romance of the Rose (translated by Chaucer)
  • Chaucer’s Parliament of Fowls
  • Pearl (Pearl Poet)

Allegory was extremely popular because medieval readers loved hidden meanings and moral symbolism.


C. Dream Vision Poetry

Poet falls asleep → sees symbolic dream → wakes up with revelation.

Examples:

  • Roman de la Rose (French model)
  • Chaucer’s Book of the Duchess
  • Parliament of Fowls
  • House of Fame
  • Pearl

Dream visions often explored:

  • allegory
  • psychology
  • courtly love
  • political commentary

D. Mystery, Miracle & Morality Plays

These were early forms of drama in England.

1. Mystery Plays

Stories from the Bible.
Performed by guilds on wagons.
Examples:

  • Fall of Lucifer
  • Creation
  • Noah and the Flood

2. Miracle Plays

Stories of saints and their miracles.
Example: Life of St. Nicholas

3. Morality Plays

Characters are abstract virtues and vices.
Purpose: teach moral lessons.
Example: Everyman

These plays shaped later Elizabethan theatre, setting the stage for Shakespeare.


E. Prose Literature

Prose begins to develop more strongly.

Major Works

  • Ancrene Wisse (religious manual for nuns)
  • Wycliffe’s Bible translation (14th century)
  • Malory’s Le Morte d’Arthur (15th century)

F. Chronicle Writing

Historical writing flourished.

Example:

  • Brut Chronicle
  • Works of Layamon
  • Works of Robert Mannyng

Chronicles mixed fact and myth and preserved the early national history of England.


G. Lyric Poetry

Medieval lyrics explore:

  • religious devotion
  • love and loss
  • nature
  • festivals

Popular forms:

  • carols
  • ballads (though ballads are largely late Middle English / early modern)

ALLITERATIVE REVIVAL (1350–1500)

A major literary phenomenon.
Around the 14th century, poets revived the Old English alliterative verse tradition.

Characteristics

  • repetition of initial consonant sounds
  • long lines with strong stresses
  • little to no rhyme

Major works of the Alliterative Revival

  • Sir Gawain and the Green Knight
  • Pearl
  • Patience
  • Cleanness
  • Morte Arthure

This revival shows a nostalgic return to native Anglo-Saxon poetic style, balanced against the French-influenced rhyming tradition.

EARLY MIDDLE ENGLISH POETRY (1100–1300)

Early Middle English literature is transitional. It bridges the heroic, Germanic style of the Anglo-Saxons and the courtly, romance-driven culture of the later medieval world.

This period saw:

  • Loss of Old English poetic complexity
  • Growth of simpler, more narrative forms
  • Rise of religious instruction in English
  • Gradual influence of French verse
  • Development of regional dialect literature

Though fewer works survive compared to Old English, this age laid the foundations for the flourishing that would occur in the 14th century.


1. Survivals of Old English Tradition

Some early texts retain Anglo-Saxon elements:

A. The Peterborough Chronicle (continuation of Anglo-Saxon Chronicle)

  • Written in early Middle English
  • Shows transition from Old English grammar to Middle English
  • Rich historical record (1135–1154)

B. The Owl and the Nightingale (c. 1180–1250)

  • First major debate poem in English
  • Written in rhymed couplets
  • A lively argument between Owl and Nightingale
  • Combines:
    • satire
    • humour
    • moral advice

It marks a movement away from alliterative diction toward more French-influenced poetic forms.


2. Layamon’s Brut (c. 1200)

A monumental early Middle English poem.

Features

  • 16,000 lines
  • Based on Wace’s French Roman de Brut
  • Tells the legendary history of Britain
  • Includes earliest Arthurian material in English

Importance

  • Written in a style close to Old English alliterative verse
  • Shows the blending of native and French traditions
  • Lays groundwork for later Arthurian literature

3. Ormulum (c. 1200)

Written by the monk Orm.
A long religious poem providing homilies on Gospel readings.

Significance

  • Written in strict poetic metre
  • Uses unusual spelling system (double consonants for short vowels)
  • Valuable for understanding Middle English phonetics

THE POWERFUL INFLUENCE OF FRENCH LITERATURE

After 1066, English literature absorbed massive influence from French genres.


1. French Courtly Culture

The Normans introduced:

  • courtly manners
  • aristocratic tastes
  • refined poetic conventions
  • interest in fashion, feasts, tournaments
  • court patronage of literature

Writers attempted to imitate French elegance and refinement.


2. French Narrative Poetry: Romances

French romances dominated medieval literary tastes.

Themes

  • heroic knights
  • magical forests
  • supernatural challenges
  • loyalty to the king
  • courtly love

Famous Romance Cycles

  • Matter of Rome (classical: Troy, Alexander)
  • Matter of France (Charlemagne, Roland)
  • Matter of Britain (Arthurian legends)

Romances became the most important narrative form of the age.


3. French Allegorical Tradition

French allegory influenced English writers deeply.

Best-known example:

Roman de la Rose — a massive allegory of love.

Chaucer translated a portion of it, making allegory a mainstream English form.


4. Influence on Vocabulary and Style

French influence introduced:

  • elegance
  • rhyme
  • regular meter
  • new rhetorical devices
  • new genres (fabliau, lai, romance)

THE ROLE OF LATIN LITERATURE

Latin remained the language of:

  • scholarship
  • theology
  • philosophy
  • science
  • law
  • monastic culture

Latin gave English literature:

  • intellectual depth
  • scholastic method
  • moral allegory
  • religious narratives
  • mystical writings

Many Middle English writers read Latin texts first-hand.


RISE OF ENGLISH PROSE

Prose begins to mature during this period.

1. Religious Prose

  • Sermons
  • Saints’ Lives
  • Guidance for nuns
  • Translations of scriptures

Important Works:

  • Ancrene Wisse (Guide for anchoresses)
  • Aelfric’s Homilies (late Old English but influential in ME)
  • Wycliffe’s Bible (first complete English Bible translation)

2. Secular Prose

By the late Middle Ages, prose expanded beyond religious themes.

Examples:

  • Travel literature (Mandeville’s Travels)
  • Revelations of Divine Love (Julian of Norwich)
  • Autobiographical writing (Margery Kempe)
  • Chronicles and histories

These works reveal the growing literacy among lay people.


COURT CULTURE AND ITS IMPACT ON LITERATURE

The court was the center of culture during the Middle English period.

1. Patronage

Kings and nobles supported poets, musicians, and clerks.
This encouraged:

  • romances
  • courtly lyrics
  • love narratives
  • political allegories

Chaucer himself benefited from royal patronage.


2. Entertainment & Performance

Courts regularly hosted:

  • minstrels
  • troubadours
  • jongleurs
  • dancing
  • feasts

Their performances kept oral literature alive.


3. Courtly Ideals

These shaped literary themes:

  • honor
  • loyalty
  • perfect love
  • noble suffering
  • gentle behavior

Courtly love became a defining theme across the age.


THE COURTLY LOVE TRADITION

Courtly love (fin’amor) is one of the most influential literary concepts in medieval Europe.

Characteristics

  • A knight serves a noble lady
  • His love is exalted, spiritual, ideal
  • Often secret or unfulfilled
  • He performs heroic deeds to win her favor
  • It elevates moral perfection, not physical desire

Origins

  • Troubadours of Southern France
  • Eleanor of Aquitaine brought it to England
  • French poets like Chrétien de Troyes shaped the formula

Influence in English Literature

  • Sir Gawain and the Green Knight
  • Chaucer’s Troilus and Criseyde
  • Many Middle English lyrics
  • Malory’s Le Morte d’Arthur (Lancelot & Guinevere tragedy)

Courtly love helped transform English poetry from heroic to psychological and romantic.


THE EMERGENCE OF SECULAR LITERATURE

As society became more urban and commercial, literature expanded beyond religious themes.

Secular genres include:

  • fabliaux (comic, bawdy tales)
  • satires
  • beast fables
  • social criticism
  • travel writing
  • romances
  • early autobiography

Chaucer’s Canterbury Tales represents the height of secular literature in the Middle Ages — a mixed portrait of pilgrims from all walks of life.

THE ALLITERATIVE REVIVAL (1350–1500) — DETAILED ANALYSIS

The Alliterative Revival is one of the most significant and unique literary movements in the Middle English period. While much Middle English poetry was adopting French influences (rhyme, syllabic metre, courtly themes), a group of poets—mostly in the North and West Midlands—returned to native Old English alliterative verse traditions.

This produced a body of literature that is simultaneously:

·         distinctly medieval

·         deeply rooted in Anglo-Saxon poetic culture

·         stylistically fresh and innovative


1. What is Alliterative Verse?

Features of Alliterative Verse

·         Lines divided into two half-lines by a caesura

·         Each half-line has two stressed syllables

·         Alliteration binds the stresses together

·         Minimal use of rhyme

·         Vivid, concrete imagery

·         Use of kennings and formulaic expressions

·         Often portrays heroic or moral content

The verse form creates musicality, dramatic weight, and epic resonance.


2. Why Did the Revival Occur?

Scholars believe it arose due to:

A. Regional Identity

Northern and West Midland regions retained more Anglo-Saxon linguistic patterns.

B. Reaction to French Influence

Poets intentionally revived English poetic identity against French courtly styles.

C. Oral Tradition Survival

Alliterative storytelling persisted among rural communities.

D. Desire for National Literature

Growing nationalism encouraged revival of native forms.


3. Major Works of the Alliterative Revival

A. Sir Gawain and the Green Knight

Anonymous “Pearl Poet”; West Midlands dialect.

Themes

·         Chivalry vs. human weakness

·         Courtly love vs. moral duty

·         Tests of character

·         Christian symbolism

·         Pagan folklore influences

This poem is considered one of the greatest masterpieces of medieval English literature.


B. Pearl

A highly refined allegorical dream vision.

Themes

·         Death of a child

·         Theological meditation

·         Divine grace

·         Christian consolation

Its language is musical, delicate, and symbolically rich.


C. Patience and Cleanness

Two moral-religious alliterative poems by the Pearl Poet.

·         Patience retells Jonah’s story

·         Cleanness explores purity and sin through biblical narratives

These poems show:

·         strong biblical knowledge

·         intense moral concern

·         mastery of alliterative structure


D. Morte Arthure (Alliterative)

Not to be confused with Malory’s prose.

Themes:

·         fall of Arthur

·         tragedy of warfare

·         heroic loss

·         national decline

Represents a graver, more tragic vision of Arthurian legend.


E. The Vision of Piers Plowman (Langland)

Although Langland uses alliteration, his work is:

·         more spiritual

·         satirical

·         philosophical

Langland’s alliterative verse is rough, powerful, and prophetic.


THEMES OF ALLITERATIVE REVIVAL POETRY

1. Moral Seriousness

Almost all poets emphasize:

·         virtue

·         moral purity

·         justice

·         spiritual perfection

·         the weakness of humanity

2. National Identity

These poems appear patriotic in their return to native style.

3. Religious Allegory

Many alliterative poems explore questions of:

·         salvation

·         God’s justice

·         moral discipline

4. Testing of Heroes

Characters undergo tests:

·         Gawain: honesty, courage, chastity

·         Jonah: obedience

·         Arthur: pride and downfall

5. Symbolism and Supernatural Elements

Green Knight, enchanted girdle, dream-child in Pearl—symbolism is central.


COMPARISON: ALLITERATIVE REVIVAL VS. CHAUCERIAN TRADITION

Feature

Alliterative Revival

Chaucerian Style

Style

Alliteration, long lines

Rhyme, iambic pentameter

Origin

Native English

French/Italian influence

Themes

Moral, religious, heroic

Social, comic, realistic

Tone

Serious, solemn

Humorous, ironic

Audience

Provincial, regional

Courtly, urban

Writers

Pearl Poet, Langland

Chaucer, Gower

Both represent the dual direction of Middle English literature:
one looking back to Anglo-Saxon, another looking forward to Renaissance humanism.


MAJOR MIDDLE ENGLISH LITERARY WORKS — SUMMARIES 

1. Ancrene Wisse (Guide for Anchorites)

A 13th-century prose manual advising three reclusive nuns on:

·         chastity

·         prayer and meditation

·         spiritual discipline

·         moral purity

·         avoiding temptation

It is notable for:

·         clarity of prose

·         emotional warmth

·         practical religious instruction

This text is one of the earliest examples of sophisticated English prose.


2. Havelok the Dane

A popular Middle English romance.

Plot

·         Havelok, exiled Danish prince

·         Raised by fishermen

·         Suffers poverty

·         Regains royal identity

·         Marries Goldeboru

·         Recovers his lost throne

Themes

·         justice triumphs

·         suffering leads to greatness

·         ideal kingship

·         good rulers protect the poor

The poem blends realism with romance motifs.


3. King Horn

One of the earliest English romances.

Plot Highlights

·         Horn, a prince, exiled by Saracens

·         Grows up among strangers

·         Falls in love with Rymenhild

·         Undergoes trials and battles

·         Returns to reclaim kingdom

Features

·         adventurous

·         moralizing

·         simple style

·         fusion of heroism & Christian values


4. Cursor Mundi

A massive biblical narrative written in Northern dialect.

Significance

·         attempts to tell entire story of God and humanity

·         educational and religious

·         important for dialect studies


5. Ormulum (recall from Part 4)

A religious text with special orthography.

Importance

·         source for early Middle English pronunciation

·         rare attempt at phonetic spelling

MIDDLE ENGLISH DRAMA: THE BEGINNINGS OF ENGLISH THEATRE

Middle English drama marks the birth of English theatrical tradition. Although drama flourishes fully in the Elizabethan age with Shakespeare, the foundations were laid in medieval religious traditions.


1. ORIGINS OF MIDDLE ENGLISH DRAMA

Drama originated inside the Church.
During early Middle Ages, priests dramatized parts of:

  • the Mass
  • Biblical readings
  • Easter stories
  • Christmas stories

These short performances were meant to teach the Bible to illiterate people.

Later, drama moved outside the church onto streets and public squares.


2. TYPES OF MEDIEVAL DRAMA

There are three major types of Middle English drama:


A. Mystery Plays (Bible Plays)

Mystery = “Ministry” or “Mysteria” (Latin for “religious truth”).

Features

  • Biblical stories: Creation → Last Judgment
  • Performed by guilds (butchers, bakers, carpenters)
  • Staged on wagons (“Pageant wagons”)
  • Very popular, colorful, festive

Major Mystery Play Cycles

  1. York Cycle (most complete)
  2. Chester Cycle
  3. Wakefield (Towneley) Cycle
  4. Coventry Cycle

Famous Plays

  • Noah’s Flood
  • The Second Shepherds’ Play (Wakefield Cycle — most famous)
  • The Crucifixion
  • The Harrowing of Hell

Importance

Mystery plays represent the earliest form of popular theatre in England.


B. Miracle Plays (Saints’ Plays)

Miracle plays dramatized the lives, miracles, and martyrdom of saints.

Examples

  • St. Nicholas
  • St. Catherine
  • Virgin Mary miracles

Purpose: inspire faith, devotion, and admiration for saintly virtues.

Miracle plays were slightly less common than mystery plays.


C. Morality Plays (Moral Allegories)

Morality plays are the most important contribution of medieval drama to English literature.

Features

  • Allegorical characters:
    • Everyman, Fellowship, Good Deeds
    • Pride, Envy, Gluttony
    • Death, Friendship, Knowledge
  • Teach moral lessons
  • Represent spiritual journey of human soul
  • Not biblical events — symbolic

Most Famous Morality Play: Everyman

  • Personification of virtues & vices
  • Deals with death, salvation, repentance
  • Theme: Only Good Deeds accompany man to grave

Morality plays prepared the way for:

  • allegory in Renaissance literature
  • Shakespeare’s symbolic characters
  • Elizabethan stage conventions

3. SECULAR DRAMA

By the 15th century, drama begins to move away from the Church.

Features

  • Farce
  • Festivals
  • Comic interludes
  • Folk plays
  • Robin Hood plays

Secular drama reflects the slow birth of professional theatre.


COURT POETRY AND THE RISE OF SECULAR THEMES

While religious literature dominated early Middle Ages, courtly culture eventually inspired a new kind of poetry marked by elegance, romance, and personal emotion.


1. Courtly Lyrics

Courtly love, refined manners, and aristocratic ideals shaped Middle English lyric poetry.

Themes

  • devotion to a lady
  • distant, idealized love
  • emotional suffering
  • joy and sadness
  • spiritualized affection

Forms

  • carols
  • love lyrics
  • ballads
  • rondeaux (French forms)

These influenced Chaucer’s early works.


2. Poems of the Pearl Poet

The "Pearl Poet" (also called "Gawain Poet") created four of the greatest Middle English poems:

  • Sir Gawain and the Green Knight
  • Pearl
  • Patience
  • Cleanness

Characteristics

  • courtly sophistication
  • moral purity
  • allegorical richness
  • intricate stanza forms
  • deep symbolism

A major figure of late Middle English literature.


3. Pastoral and Nature Poetry

Nature becomes symbolic:

  • spring as renewal
  • winter as sorrow
  • birds as love messengers

Lyrics like “Sumer is icumen in” show joy of natural cycles.


MIDDLE ENGLISH POLITICAL & SOCIAL LITERATURE

The age witnessed intense political unrest:

  • heavy taxes
  • wars
  • corruption
  • peasant oppression

Writers responded with satire and criticism.


1. John Gower

Works:

  • Vox Clamantis (Latin): condemns Peasants’ Revolt of 1381
  • Confessio Amantis: commentary on human sin and moral weakness

He attacked the corruption of all classes.


2. William Langland — Piers Plowman

This is the greatest social critique of Middle English literature.

Themes:

  • corruption of Church
  • greed of aristocracy
  • hypocrisy of friars
  • suffering of poor
  • spiritual struggle for salvation

Written in alliterative verse, combining prophetic anger with moral insight.


3. Chaucer’s Social Satire

In The Canterbury Tales, Chaucer:

  • exposes corruption in clergy
  • mocks pretentious nobles
  • criticizes dishonest tradesmen
  • portrays women with independence and complexity

Chaucer’s realism is unmatched in medieval Europe.


MIDDLE ENGLISH PROSE DEVELOPMENT

Prose becomes important in later medieval period.


1. Religious Prose

A. Wycliffe Bible (1380s)

  • First complete Bible translation into English
  • Sparked religious reform movements
  • Made scripture accessible to common people

B. Julian of Norwich — Revelations of Divine Love

  • First known female English writer
  • Mystical experiences
  • Theology of divine love and compassion

C. Ancrene Wisse

  • Handbook for female hermits
  • Blend of moral advice, emotional comfort, spirituality

These works form the core of medieval English prose spirituality.


2. Autobiographical Prose

Margery Kempe — The Book of Margery Kempe (1430s)

  • First English autobiography
  • Describes visions, pilgrimages, struggles
  • Written through a scribe
  • Rare glimpse into medieval woman's life

3. Secular Prose

Sir John Mandeville — The Travels of Sir John Mandeville

  • Adventurous travel narratives
  • Exotic places, monsters, marvels
  • Half real, half fantasy
  • Very popular in Europe

ENGLISH PROSE MASTERPIECE OF THE PERIOD

Sir Thomas Malory — Le Morte d’Arthur

Published by William Caxton (1475–1485)

  • Standard version of Arthurian legends
  • Includes tales of:
    • Arthur
    • Merlin
    • Lancelot & Guinevere
    • Gawain
    • Mordred
    • Grail Quest

Significance

  • First major English prose masterpiece
  • Marks end of Middle Ages
  • Bridges medieval romance & Renaissance prose

CHARACTERISTICS OF MIDDLE ENGLISH LITERATURE

Middle English literature is extraordinarily diverse because English society was undergoing massive change. These characteristics give the period its distinctive literary personality.


1. Blending of Old and New Cultural Elements

The period is defined by the fusion of:

  • Old English heroic tradition
  • French romance style
  • Latin ecclesiastical learning
  • New secular urban culture

This mixture produced a literature rich in variety and experimentation.

Examples:

  • Sir Gawain blends chivalry (French) + alliteration (English)
  • Chaucer blends Italian narrative models + English realism
  • Langland blends biblical allegory + social satire

This hybrid culture is unique to medieval England.


2. Rise of Realism

Middle English literature brought realism into English writing for the first time.

Chaucer’s Realism:

  • Accurately portrays medieval professions
  • Uses everyday speech
  • Depicts characters with psychological depth
  • Avoids moralizing/idealizing
  • Introduces humor and irony

Example:
Wife of Bath is one of the most realistic female characters before Shakespeare.

Langland’s Realism:

  • Exposes poverty
  • Portrays corruption in clergy
  • Describes daily life of peasants

Gower’s Realism:

  • Accurate political commentary

Realism became the Middle English period’s greatest legacy.


3. Rise of Individual Voice

Old English literature is largely anonymous and communal.
Middle English literature introduces individual authorship:

  • Chaucer signs his works
  • Gower writes confession-style poems
  • Langland inserts himself as “Will”
  • Julian of Norwich writes in first-person mystical voice
  • Margery Kempe writes the first English autobiography

This shift marks the birth of authorial identity in English literature, foreshadowing the Renaissance.


4. Secularization of Literature

Although the Church dominated early medieval life, later Middle English literature shows a dramatic expansion of secular themes:

Secular Genres:

  • romances
  • fabliaux (comic tales)
  • satire
  • autobiographical writing
  • love lyrics
  • travel literature
  • beast fables

Example:

Chaucer’s Canterbury Tales is not a religious text at all — it is a social panorama of all English classes, filled with humour and criticism.


5. Rise of National Identity

English nationalism increased due to:

  • Hundred Years’ War
  • Decline of French rule
  • Black Death & labor changes
  • English replacing French in law and government

This created a new pride in English language and literature.

Literary reflection:

  • Alliterative Revival returned to Anglo-Saxon roots
  • Wycliffe translated Bible into English
  • Chaucer wrote in English, not French
  • Malory’s Arthurian prose shaped national myth

The period marks the rebirth of English as a literary language.


6. Allegory as Dominant Literary Device

Medieval writers loved allegory.

Why?

  • Church encouraged moral literature
  • Latin learning valued symbolism
  • Medieval audience enjoyed hidden meanings

Major Allegories:

  • Piers Plowman
  • Pearl
  • House of Fame
  • Roman de la Rose (influence)
  • Everyman (morality play)

Characteristics:

  • personified virtues/vices
  • moral journeys
  • dream visions
  • symbolic landscapes
  • spiritual struggles

Allegory is one of the strongest features of Middle English literature.


7. Moral and Religious Instruction

Literature often served moral purposes:

  • to teach virtue
  • condemn sin
  • warn against corruption
  • prepare souls for salvation

Even secular texts contain moral undercurrents.

Examples:

  • Gawain’s trial of chastity
  • Troilus’ fall teaches instability of worldly love
  • Langland condemns greed and hypocrisy
  • Morality plays teach spiritual wisdom

8. Importance of Courtly Love and Chivalry

Courtly love shaped aristocratic literature.

Features:

  • devotion to a high-born lady
  • secrecy
  • idealization
  • emotional suffering
  • moral refinement

Examples:

  • Sir Gawain and the Green Knight
  • Chaucer’s Troilus and Criseyde
  • Lyrics and romances
  • Arthurian stories

Chivalry (the knight’s code) became a central theme:

  • courage
  • loyalty
  • truth
  • generosity

This idealized social order influenced even religious texts.


9. Development of Drama

Drama evolves through:

A. Mystery Plays → Bible stories

B. Miracle Plays → Saints’ legends

C. Morality Plays → abstract virtues/vices

Drama moved from church to town squares, leading to professional theatre later.


10. Growth of Women’s Writing and Voices

Medieval women rarely wrote, but in this period:

Julian of Norwich

  • First woman to write a book in English
  • Mystic, theologian
  • “All shall be well” — famous line

Margery Kempe

  • First English autobiography
  • Travel, visions, struggles

Wife of Bath (fiction)

  • Bold, experienced, intellectual
  • Speaks openly about marriage and desire

Women’s voices became more significant than in any previous English period.


11. Mixing of Genres and Styles

Middle English literature is experimental:

  • blends prose & poetry
  • mixes romance with satire
  • blends religious vision with social commentary
  • uses both alliteration and rhyme
  • combines French, Latin, and English influences

This creative mixture makes the period rich and unpredictable.


12. Expansion of Vocabulary

The combination of French + English produced thousands of new words:

  • government
  • justice
  • beauty
  • honour
  • religion
  • romance
  • art
  • music

This linguistic richness empowered complex literary expression.


IMPORTANT CHART: OLD ENGLISH VS. MIDDLE ENGLISH

Feature

Old English

Middle English

Language

Germanic

Mix of English + French

Poetry

Alliteration

Rhyme, meter

Themes

Heroic, fate

Love, satire, religion

Authors

Mostly anonymous

Chaucer, Langland, Gower

Drama

None

Mystery/Miracle/Morality plays

Prose

Religious

Religious + secular

Worldview

Pagan-Christian blend

Christian-European

MAJOR MIDDLE ENGLISH WORKS — DETAILED SUMMARIES

We cover the monumental works of five key authors:

  1. Geoffrey Chaucer
  2. William Langland
  3. John Gower
  4. The Pearl Poet
  5. Sir Thomas Malory

1. Geoffrey Chaucer — The Canterbury Tales

Chaucer’s The Canterbury Tales is the most influential work of Middle English literature and a foundational text in English literary history.

1.1 FRAMEWORK

The work is a frame narrative:

  • 29 pilgrims gather at the Tabard Inn, Southwark
  • Travel to the shrine of St. Thomas Becket, Canterbury
  • Each pilgrim should tell 4 tales (2 going, 2 returning)
  • Only 24 tales were written

HOST:

Harry Bailly, the host of the inn, guides and manages the storytelling competition.


1.2 IMPORTANT CHARACTERS FROM THE GENERAL PROLOGUE

Chaucer creates the first modern English character-study.
Some iconic portraits:

Knight

  • Noble, chivalrous, humble
  • Represents highest medieval ideal

Squire

  • Young, romantic, skilled in arts
  • Loves passionately

Prioress

  • Pretentious, delicate, courtly manners
  • Satire of religious hypocrisy

Wife of Bath

  • 5 husbands
  • Experienced, confident, outspoken
  • Earliest feminist voice in English literature

Pardoner

  • Corrupt seller of indulgences
  • Carries fake relics
  • Smiles like a “gelded mare”

Summoner

  • Ugly, immoral
  • Speaks Latin phrases when drunk

Clerk of Oxford

  • Quiet, scholarly
  • Loves books more than food

Ploughman

  • Honest, hardworking
  • Humble farmer
  • Most moral character

Through these pilgrims, Chaucer portrays every social class in medieval England.


1.3 THEMES IN THE CANTERBURY TALES

  • Corruption in the Church
  • Gender roles
  • Courtly love vs. real love
  • Human folly and vice
  • Social diversity
  • Satire and humour
  • Moral lessons expressed ironically

Chaucer blends humour, moral insight, and realism in a way no previous English writer had achieved.


2. William Langland — Piers Plowman

One of the greatest allegorical poems in English. A complex, prophetic work written in alliterative verse.


2.1 STRUCTURE

  • Three versions: A, B, C
  • Divided into Passus (“steps”)
  • Narrator “Will” experiences spiritual visions

2.2 CONTENT SUMMARY

Vision I:

Holy Church instructs Will about Truth.

Vision II:

Lady Mede (bribery) symbolizes corruption in society.

Vision III:

Piers the Plowman appears as a Christ-like figure.

Seven Deadly Sins

Each sin is portrayed vividly — a medieval psychological analysis.

Christ’s Passion & Harrowing of Hell

Deep religious symbolism.

Do-Well, Do-Better, Do-Best

Three spiritual states of Christian life:

  • Do-Well = living morally
  • Do-Better = deeper charity
  • Do-Best = Christ-like perfection

2.3 THEMES

  • Criticism of corrupt clergy
  • Importance of honest labor
  • Salvation through moral life
  • Poverty of the common man
  • Hypocrisy and greed

Langland is the prophetic voice of medieval England.


3. John Gower — Confessio Amantis

A massive 20,000-line poem written in English.


3.1 FRAMEWORK

  • A lover confesses sins to Genius, priest of Venus
  • Structure: Each book focuses on one of the Seven Deadly Sins

3.2 CONTENT

Gower includes over 100 stories from:

  • classical mythology
  • Bible
  • history
  • legends

Examples:

  • Narcissus
  • Medea
  • Apollonius of Tyre (the longest & most famous tale)
  • Constance

3.3 THEMES

  • Moral instruction
  • Human sinfulness
  • Corruption of society
  • Love’s dangers and temptations
  • Balance between pleasure and virtue

Unlike Chaucer, Gower is serious, moralistic, and didactic.


4. The Pearl Poet — Sir Gawain and the Green Knight

Considered one of the masterpieces of medieval literature.


4.1 PLOT SUMMARY

  • Christmas feast at Camelot
  • Green Knight challenges the Round Table
  • Gawain accepts the “beheading game”
  • Cuts off Green Knight’s head → Knight picks it up
  • Gawain must seek him at the Green Chapel
  • Stays with Sir Bertilak’s castle
  • Tempted by Lady Bertilak
  • Accepts magical green girdle
  • Final confrontation: Green Knight lightly wounds Gawain
  • Reveals himself as Bertilak
  • Test of character successfully completed

4.2 THEMES

  • Chivalry vs. human imperfection
  • Testing of honour
  • Courtly love and moral danger
  • Temptation
  • Christian confession
  • Symbolism of the green color

4.3 STYLE

  • Alliterative verse
  • Rich symbolic patterns
  • Blending of pagan and Christian elements

5. The Pearl Poet — Pearl

A deeply mystical allegorical poem.


PLOT

  • Father loses a child (2-year-old girl)
  • Falls asleep in garden
  • Dream vision: sees his daughter as a radiant maiden in heaven
  • She teaches him:
    • the nature of God’s grace
    • eternal reward
    • acceptance of divine will
  • Father tries to cross a river to reach her
  • Wakes up instead

THEMES

  • grief
  • innocence
  • divine mercy
  • vision of New Jerusalem
  • spiritual consolation

6. Sir Thomas Malory — Le Morte d’Arthur

The most influential Arthurian text in English literature.


6.1 CONTENT OUTLINE

  • Birth of Arthur
  • Merlin’s guidance
  • Sword in the Stone
  • Knights of the Round Table
  • Lancelot and Guinevere love story
  • Quest for the Holy Grail
  • Treason of Mordred
  • Final battle
  • Death of Arthur
  • Avalon

6.2 THEMES

  • chivalry and honor
  • betrayal
  • tragic downfall
  • loyalty
  • ideal vs. real
  • moral failure

Malory’s work unifies all Arthurian cycles into a single grand narrative.

MAJOR THEMES, MOVEMENTS & COMPARISON CHARTS OF MIDDLE ENGLISH LITERATURE


A. MAJOR THEMES ACROSS MIDDLE ENGLISH LITERATURE

The Middle English period contains five dominant themes, repeated across poetry, romance, drama, prose, and allegory.


1. Religion and Morality

Medieval England was deeply religious, and this is reflected in much of its literature.

Examples:

  • Piers Plowman — moral struggle, salvation
  • Pearl — divine grace, heavenly reward
  • Everyman — repentance, judgment
  • Ancrene Wisse — devotional rules

Core Message:
Humans must seek salvation through virtue, confession, humility, and good deeds.


2. Chivalry and Knightly Virtues

Chivalry is the moral code of the medieval knight. Literature emphasizes:

  • courage
  • honor
  • truthfulness
  • loyalty
  • generosity

Examples:

  • Sir Gawain and the Green Knight
  • Arthurian romances
  • Morte d’Arthur
  • Early romances like Havelok the Dane

Chivalry = Moral Ideal + Social Duty


3. Courtly Love

The concept of “noble, refined, spiritualized love.”

Characteristics:

  • knight serves lady
  • love is idealized
  • often unfulfilled
  • creates emotional tension
  • associated with nobility

Examples:

  • Troilus and Criseyde
  • Lancelot & Guinevere (Malory)
  • Breton lais

4. Social Criticism

Literature often exposes corruption and societal flaws.

Examples:

  • Langland attacks Church corruption
  • Chaucer satirizes clergy, aristocrats, and commoners
  • Gower critiques political failures
  • Popular ballads criticize authority

This marks the birth of English social realism.


5. Human Psychology and Individuality

Middle English writers begin to explore:

  • personal emotion
  • conscience
  • inner struggle
  • psychology of characters

Examples:

  • Chaucer’s detailed portraits (Wife of Bath, Pardoner)
  • Gawain’s internal conflict
  • Dreamer’s grief in Pearl
  • Autobiographical voice in Margery Kempe

This represents the early development of psychological literature.


B. CHARTS: LITERARY MOVEMENTS OF MIDDLE ENGLISH PERIOD

1. Timeline Overview

Period

Key Events

Key Writers

1066–1200

Norman Conquest, French dominance

Layamon, Orm, early romances

1200–1350

English re-emerges; French influence moderates

Cursor Mundi, Owl & Nightingale, Ancrene Wisse

1350–1400

Golden Age; Alliterative Revival

Chaucer, Langland, Pearl Poet, Gower

1400–1500

Transition to Renaissance

Malory, early drama, political prose


2. Major Literary Forms

Genre

Features

Examples

Romance

Knights, quests, love

Gawain, Havelok, King Horn

Allegory

Symbolism, moral ideas

Piers Plowman, Pearl

Dream Vision

Visionary dreams

Book of Duchess, Pearl

Drama

Biblical/moral stories

Mystery/Miracle/Morality plays

Court Poetry

Love, aristocratic themes

Chaucer’s early works

Prose

Religious & secular

Le Morte d’Arthur, Wycliffe Bible


C. POETRY COMPARISON CHART: ALLITERATIVE REVIVAL VS. ROMANCE TRADITION

Feature

Alliterative Revival

Romance Tradition

Style

Alliteration, long lines

Rhyme, meter

Language

Native English

French influence

Tone

Serious, moral

Adventurous, courtly

Themes

Religion, morality, trials

Love, quests, heroism

Examples

Gawain, Pearl, Piers Plowman

Sir Orfeo, Havelok, Arthurian tales


D. CHAUCER VS. LANGLAND VS. GOWER (EXAM TABLE)

Feature

Chaucer

Langland

Gower

Style

Realistic, humorous

Moral, prophetic

Moralistic, didactic

Form

Rhyme, iambic pentameter

Alliteration

Rhyme

Focus

Society, human nature

Sin, salvation

Human sins

Tone

Irony, wit

Serious, visionary

Calm, instructive

Language

London English

West Midlands

London English

Major Work

Canterbury Tales

Piers Plowman

Confessio Amantis

This table helps differentiate the three greatest Middle English poets.


E. THEMATIC COMPARISON ACROSS MAJOR WORKS

1. Religious Themes

Work

Type

Religious Theme

Pearl

Vision poem

Salvation, divine grace

Piers Plowman

Allegory

Struggle for holiness

Everyman

Morality play

Good deeds lead to salvation

Ancrene Wisse

Prose

Devotional discipline


2. Romantic/Chivalric Themes

Work

Focus

Key Values

Sir Gawain

Knight tested

Honor, truth, courage

Troilus & Criseyde

Love tragedy

Courtly love, fate

Morte d’Arthur

Arthurian world

Loyalty, betrayal


3. Social Satire Themes

Work

Focus of Satire

Canterbury Tales

Church, professions, morality

Piers Plowman

Clergy, nobility, greed

Gower’s works

Political and moral corruption


F. LITERARY DEVICES IN MIDDLE ENGLISH LITERATURE

1. Allegory

Personified virtues & vices; symbolic journeys.

2. Dream Vision

Dreamer receives spiritual or moral insight.

3. Courtly Rhetoric

Elegant vocabulary influenced by French.

4. Irony & Satire

Chaucer’s main tool; gently mocks society.

5. Alliteration & Symbolism

Prominent in the Alliterative Revival.

6. Dialogue & Characterization

Chaucer’s realistic dialogue became a major innovation.


G. THEMATIC MAP OF MAJOR WORKS (Very Useful for Students)

Theme

Chaucer

Langland

Pearl Poet

Malory

Religion

Moderate

Strong

Strong

Moderate

Realism

Strong

Moderate

Weak

Low

Chivalry

Medium

Low

High

Strong

Courtly Love

High

Low

Medium

High

Social Critique

Strong

High

Low

Medium

Allegory

Medium

Very High

Very High

Low

Heroism

Medium

Low

High

High


H. KEY SYMBOLS IN MIDDLE ENGLISH TEXTS

Work

Symbol

Meaning

Pearl

Pearl

innocence, purity, lost child

Sir Gawain

Green Girdle

human weakness

Sir Gawain

Green Knight

nature, trial, spiritual test

Piers Plowman

Piers

Christ/Truth

Everyman

Journey

life → death → judgment

Canterbury Tales

Pilgrimage

human life journey


I. IMPORTANT 15-MARK EXAM POINTS (SUMMARY)

Use these as frames for TRB long answers:

1. Middle English is the age of linguistic fusion

English + French + Latin → rich vocabulary and mixed styles.

2. Period of dual literary traditions

  • Courtly French romance
  • Native English alliterative revival

3. Rise of English as national language

Hundred Years’ War, Black Death, Statute of Pleadings, Chaucer’s influence.

4. Development of new genres

Drama, romance, allegory, dream vision, secular prose.

5. Emergence of authorial identity

Chaucer, Langland, Gower, Pearl Poet, Malory.

GLOSSARY OF IMPORTANT MIDDLE ENGLISH TERMS & CONCEPTS

A. MIDDLE ENGLISH LITERARY TERMS (GLOSSARY)

1. Alliterative Verse

A poetic form using repetition of initial consonant sounds across stresses.
Common in Old English, revived in the 14th century (Alliterative Revival).

Used in:

  • Sir Gawain and the Green Knight
  • Piers Plowman

2. Allegory

A narrative in which characters and events symbolize moral, spiritual, or political meanings.

Examples:

  • Langland’s Piers Plowman
  • Everyman (morality play)
  • Pearl

3. Dream Vision

A popular medieval genre where the poet falls asleep and experiences a symbolic dream.

Example:

  • Chaucer’s Book of the Duchess
  • Pearl
  • House of Fame

4. Courtly Love

Medieval code of romantic behavior: idealized, refined, distant love between a knight and a noble lady.

Appears in:

  • Troilus and Criseyde
  • Arthurian legends

5. Chivalry

Knightly moral code including bravery, courtesy, loyalty, and protection of the weak.


6. Fabliau

Short, comic, often bawdy tale that mocks hypocrisy and human weakness.
French in origin.

Examples:

  • Miller’s Tale (Chaucer)
  • Reeve’s Tale

7. Romance

Medieval narrative centered on heroic knights, quests, supernatural elements, and love.

Examples:

  • Sir Gawain
  • Havelok the Dane
  • Sir Orfeo

8. Morality Play

Dramatic allegory featuring personified virtues and vices.

Example:

  • Everyman

9. Mystery Plays

Dramas depicting Biblical stories.

Example:

  • York Cycle’s Crucifixion play

10. Miracle Plays

Dramas depicting saints’ miracles.


11. Gentilesse

A medieval concept meaning noble character, courtesy, virtue.
Frequently explored by Chaucer.


12. Estates Satire

A medieval genre that critiques the three estates:

  • clergy
  • nobility
  • peasants

Chaucer uses this in:

  • The General Prologue

13. Lais

Short narrative poems, often involving fairies, love, magic.
Introduced to England from French tradition.


14. Harrowing of Hell

Christ’s descent into hell to free souls; common in mystery plays and Piers Plowman.


15. Courtesy Books

Guides on polite behavior for medieval nobility. Influenced knightly romances.


B. IMPORTANT MIDDLE ENGLISH AUTHORS (QUICK REFERENCE LIST)

1. Geoffrey Chaucer

  • Canterbury Tales
  • Troilus and Criseyde
  • Parliament of Fowls

2. William Langland

  • Piers Plowman

3. John Gower

  • Confessio Amantis

4. Pearl Poet

  • Sir Gawain and the Green Knight
  • Pearl
  • Cleanness
  • Patience

5. Sir Thomas Malory

  • Le Morte d’Arthur

6. Layamon

  • Brut

7. Orm

  • Ormulum

8. Julian of Norwich

  • Revelations of Divine Love

9. Margery Kempe

  • The Book of Margery Kempe

10. Wycliffe

  • First English Bible Translation

C. MAJOR LITERARY FORMS OF THE MIDDLE ENGLISH PERIOD

1. Poetry

A. Alliterative Poetry

  • Native tradition
  • Alliteration instead of rhyme
  • Strong stress patterns
  • 14th-century revival

Texts:

  • Sir Gawain
  • Piers Plowman

B. Courtly Poetry

  • Romantic
  • Elegant style
  • Influenced by French court culture

Texts:

  • Chaucer’s early works

C. Love Lyrics

Often connected to spring, nature, and courtly love.


D. Religious Poetry

  • Devotion
  • Biblical paraphrase
  • Saints’ lives

Texts:

  • Pearl
  • Ancrene Wisse

2. Prose

Middle English prose matured significantly.

A. Religious Prose

  • Wycliffe Bible
  • Ancrene Wisse
  • Julian of Norwich

B. Secular Prose

  • Mandeville’s Travels
  • Chronicles (Robert Mannyng, Trevisa)
  • Malory’s Le Morte d’Arthur

3. Drama

A. Mystery Plays

Biblical stories.
Performed by guilds.

B. Miracle Plays

Stories of saints.

C. Morality Plays

Allegorical lessons; foundation for Renaissance drama.

D. Interludes

Short comic pieces; early secular drama.


D. IMPORTANT CULTURAL TERMS OF THE PERIOD

1. Feudalism

Social system of medieval Europe:

  • King
  • Nobles
  • Knights
  • Peasants

Influenced romance literature.


2. Guilds

Associations of craftsmen who sponsored drama cycles.


3. Pilgrimage

Religious journey; a major social event.

Most famous in literature:

The pilgrimage to Canterbury in Chaucer’s Canterbury Tales.


4. Estates

Three medieval social classes:

  • Church (those who pray)
  • Nobles (those who fight)
  • Peasants (those who work)
    Chaucer’s General Prologue critiques all three.

5. Courtly Society

Noble courts shaped literary culture:

  • poetry
  • music
  • storytelling

E. IMPORTANT CONCEPT LISTS (EXAM-ORIENTED)

1. Key Middle English Manuscripts

  • Cotton Nero A.x (Pearl Poet)
  • Ellesmere Manuscript (Canterbury Tales)
  • Vernon Manuscript (religious poetry)
  • Winchester Manuscript (Le Morte d’Arthur)

2. Key Themes List (Very Important for TRB)

  • sin & salvation
  • pilgrimages
  • heroism
  • chivalry
  • courtly love
  • social corruption
  • divine justice
  • hypocrisy
  • moral virtue

3. Important Middle English Genres/Forms

  • Breton Lai
  • Fabliau
  • Beast Fable
  • Debate Poetry (Owl & Nightingale)
  • Vision Poetry
  • Miracle/Mystery/Morality Plays
  • Chronicle Writing

4. Most Important Works to Memorize

  • Canterbury Tales — Chaucer
  • Piers Plowman — Langland
  • Confessio Amantis — Gower
  • Sir Gawain and the Green Knight — Pearl Poet
  • Le Morte d’Arthur — Malory
  • Pearl
  • Book of the Duchess
  • Everyman

CHRONOLOGY & HISTORICAL TIMELINE OF THE MIDDLE ENGLISH PERIOD

The Middle English period (1066–1500) spans four and a half centuries of dramatic transformation.

I. MAJOR HISTORICAL EVENTS (1066–1500)

Arranged chronologically.


1066 — Norman Conquest

  • William the Conqueror defeats Harold at Hastings.
  • French becomes language of court & nobility.
  • Start of Middle English period.

1085–1086 — Domesday Book

  • Complete record of land ownership in England.
  • Shows new Norman feudal order.

1100–1200 — Early Middle English Period

  • English survives among commoners.
  • French dominates literature.
  • Works like Brut, Owl and the Nightingale appear.

1204 — Loss of Normandy

  • King John loses Normandy to France.
  • English nobles lose French lands.
  • English nationalism rises.

1215 — Magna Carta

  • Limits king’s power.
  • Strengthens nobility and law.
  • Important for political background of literature.

1258 — First Official Government Document in English

  • Henry III issues proclamation.
  • Beginning of English’s re-acceptance in official life.

1348–1351 — Black Death

  • 1/3 of population dies.
  • Labor shortage → rise of working class.
  • Decline of feudalism.
  • Strong background for Langland’s social critique.

1337–1453 — Hundred Years’ War

  • England vs France.
  • Creates strong English identity.
  • French loses prestige.

1362 — Statute of Pleadings

  • English replaces French in law courts.
  • A turning point for English language revival.

1381 — Peasants’ Revolt

  • Led by Wat Tyler.
  • Mass protest against taxes and feudal oppression.
  • Influence seen in Piers Plowman and Gower.

1385 — English replaces French in schools

  • English becomes the medium of education.
  • Strengthens the rise of English literature.

1399 — First English Coronation Speech

  • Henry IV speaks in English at his coronation.
  • Final elevation of English as national language.

1400 — Death of Chaucer

  • End of the greatest Middle English poet.
  • Start of transitional period to Renaissance.

1455–1485 — Wars of the Roses

  • Civil war between York & Lancaster.
  • Political instability.
  • Forms background for Malory’s tragic vision.

1476 — William Caxton introduces printing press

  • Revolutionizes English literature.
  • Standardizes English language.
  • Publishes Chaucer and Malory.

1485 — Publication of Le Morte d’Arthur

  • Caxton publishes Malory’s masterpiece.
  • Symbolic end of medieval age.
  • Beginning of Renaissance influence.

1485–1500 — Transition to Early Modern English

  • English grammar stabilizes.
  • French influence settles.
  • Age of More, Erasmus, early humanism.

II. LITERARY TIMELINE (1066–1500)

A clear breakdown of literary developments.


1. Early Middle English (1100–1250)

Characteristics:

  • Simple language
  • Heavy French influence
  • Decline of Old English traditions

Works:

  • Brut (Layamon)
  • Ormulum (Orm)
  • Owl and the Nightingale

2. Central Middle English (1250–1350)

Characteristics:

  • Growth of religious prose
  • Rise of English nationalism
  • Moral and devotional literature

Works:

  • Ancrene Wisse
  • Cursor Mundi

3. Late Middle English (1350–1400) — Golden Age

Characteristics:

  • Major poets emerge
  • Alliterative Revival
  • Courtly poetry
  • Social satire

Authors:

  • Chaucer
  • Langland
  • Gower
  • Pearl Poet

Works:

  • Canterbury Tales
  • Piers Plowman
  • Confessio Amantis
  • Sir Gawain and the Green Knight

This is the central and richest period.


4. End of Middle English (1400–1500)

Characteristics:

  • Prose rises
  • Decline of feudal ideals
  • Preparation for Renaissance

Key Writer:

  • Sir Thomas Malory

Important Work:

  • Le Morte d’Arthur (1485)

III. TIMELINE OF MAJOR AUTHORS & THEIR PERIODS

Author

Active Period

Major Work(s)

Layamon

c. 1200

Brut

Orm

c. 1200

Ormulum

Anonymous

12th–13th century

Owl and Nightingale

Pearl Poet

c. 1370–1390

Pearl, Gawain, Cleanness

Chaucer

1343–1400

Canterbury Tales

Langland

1360–1387

Piers Plowman

Gower

1350–1400

Confessio Amantis

Wycliffe

1380s

Bible translation

Margery Kempe

1390–1430

Book of Margery Kempe

Julian of Norwich

1342–1416

Revelations of Divine Love

Malory

1450–1470

Le Morte d’Arthur


IV. HISTORICAL CONTEXT THEMES 

These background factors deeply shaped the literature:

1. Feudalism

  • provided chivalric romance themes
  • influenced class divisions in Chaucer

2. Church Dominance

  • moral and allegorical literature
  • mystery/miracle plays
  • devotional prose

3. Rise of Towns

  • middle class growth
  • satire of merchants in Chaucer
  • guild-sponsored drama

4. Social Upheavals

  • Black Death → labor movement
  • Peasant Revolt → political critique in literature

5. Nationalism

  • Hundred Years’ War
  • English re-emerges as national language

6. Printing Press (1476)

  • makes literature accessible
  • standardizes orthography
  • preserves Chaucer and Malory

V. EXAM-ORIENTED DATES TABLE

Year

Event

1066

Norman Conquest

1204

Loss of Normandy

1258

First English royal proclamation

1348

Black Death begins

1362

Statute of Pleadings

1381

Peasants’ Revolt

1399

First English coronation speech

1476

Caxton’s printing press

1485

Morte d’Arthur published


VI. PERIOD MAP

1100–1350
→ Religious prose, simple language, early romances

1350–1400
→ Chaucer + Langland + Gower + Pearl Poet
→ Alliterative Revival
→ Courtly poetry reaches height

1400–1500
→ Prose ages (Malory)
→ Decline of feudalism
→ Rise of Renaissance spirit

MIDDLE ENGLISH DIALECTS — FEATURES, MAPS, EXAMPLES, AUTHORS

Middle English was not a single uniform language.
It had 5 major dialects, each with distinct pronunciation, vocabulary, spelling, and grammar.

These dialects developed because:

  • England was divided into regions
  • No printing press until 1476
  • Poor transport & communication
  • Local identity was strong
  • Norman French influence varied by region

Understanding dialects helps students understand why Middle English literature looks so different across manuscripts.


I. FIVE MAJOR MIDDLE ENGLISH DIALECTS

Here are the official five dialects, recognized by all linguistic historians:

  1. Northern
  2. East Midlands
  3. West Midlands
  4. Kentish
  5. Southern

1. NORTHERN DIALECT

Region:

  • Yorkshire
  • Northumbria
  • Scotland (Early Scots is derived from this dialect)

Characteristics:

  • Strong Scandinavian (Norse) influence
  • Fast loss of Old English inflections
  • Use of “a” for “I”
    • EX: “a saw him” instead of “I saw him”
  • Plural ending -s used on all verbs
    • EX: “they singes” vs. East Midland “they singe”
  • Distinct vocabulary:

Common words

  • “scho” (she)
  • “tham” (them)
  • “gah” (go)

Literary examples:

  • Cursor Mundi
  • Early ballads (Robin Hood ballads often use northern features)
  • Works from Yorkshire monasteries

Importance:

This dialect strongly influenced Scottish literature (Barbour, Dunbar, Henryson).


2. WEST MIDLANDS DIALECT

Region:

  • Western central England
  • Shropshire, Herefordshire, Worcester, Staffordshire

Characteristics:

  • More conservative and closer to Old English
  • Kept many old inflections
  • Rich poetic vocabulary
  • Complex alliteration patterns

Literary masterpieces:

  • Sir Gawain and the Green Knight
  • Pearl
  • Cleanness
  • Patience

These four works show highest poetic achievement of the dialect.

Importance:

West Midlands was center of Alliterative Revival.


3. EAST MIDLANDS DIALECT (MOST IMPORTANT)

Region:

  • Cambridge
  • Oxford
  • London
  • East Anglia

This dialect eventually became Standard English.

Why East Midlands Became Standard English:

  1. London lay in East Midland area → political & economic center.
  2. Universities at Oxford and Cambridge used East Midlands dialect.
  3. Trade routes along Thames spread this dialect widely.
  4. Most printing houses used London English after Caxton.
  5. Many major authors wrote in this dialect.

Features:

  • Balanced mix of northern and southern features
  • Grammar simpler than southern
  • More vocabulary variety
  • Smoother, more regular pronunciation
  • Accepted by courts and merchants

Major Authors Who Used East Midland Dialect:

  • Chaucer
  • Gower
  • Langland
  • Wycliffe
  • John Mandeville

Importance:

This dialect evolved into Modern Standard English.


4. SOUTHERN DIALECT

Region:

  • Areas south of the Thames
  • Sussex, Surrey, Hampshire

Characteristics:

  • Strong Old English (West Saxon) influence
  • Retained “-en” plural endings
    • EX: “housen” (houses)
  • Conservative pronunciation
  • Religious and monastic literature common

Literary Examples:

  • Ayenbite of Inwyt (notorious for literal translation and odd spelling)
  • Various sermons & homilies

Importance:

Shows the most conservative form of Middle English.


5. KENTISH DIALECT

Region:

  • County of Kent
  • Southeastern England

Characteristics:

  • Very distinctive vowel shifts
  • Unique spelling patterns
  • Strong survival of Old English Kentish dialect
  • French influence due to proximity to Canterbury

Used in:

  • Sermons
  • Monastic writings
  • Local chronicles

Importance:

Though not dominant, Kentish is valuable for understanding linguistic diversity.


II. EXAM-ORIENTED COMPARISON CHART OF MIDDLE ENGLISH DIALECTS

Dialect

Geographic Region

Features

Important Works

Northern

Yorkshire, Northumbria

Scandinavian influence; -s plural verbs; “a = I”

Cursor Mundi, Ballads

West Midlands

West-central England

Alliteration; conservative grammar

Gawain, Pearl

East Midlands

London, Oxford, Cambridge

Foundation of Standard English

Canterbury Tales, Piers Plowman

Southern

South of Thames

Retains -en plurals; conservative

Ayenbite of Inwyt

Kentish

Kent region

Distinct vowels; unique spelling

Kentish Sermons


III. WHY EAST MIDLAND BECAME MODERN ENGLISH (EXPLANATION)

This is a favourite PG-TRB question.

Reason 1: London became political capital

Kings, courts, parliaments → all used London English.

Reason 2: Trade & Commerce

London merchants spread their dialect throughout England.

Reason 3: Universities

Oxford & Cambridge used East Midland → educated class wrote in it.

Reason 4: Printing Press (1476)

William Caxton printed books in London English.
This standardised spelling & grammar.

Reason 5: Chaucer’s Prestige

Chaucer wrote in East Midland; his popularity influenced future writers.

Therefore:

East Midland = Foundation of Modern Standard English.


IV. EXAMPLES OF DIALECT VARIATIONS (VERY IMPORTANT FOR EXAMS)**

Word for “she”

  • Northern: scho
  • West Midlands: ho
  • East Midlands: she
  • Southern: heo
  • Kentish: scheo

Plural Verb Endings

  • Northern: -s (they sings)
  • East Midlands: no ending (they sing)
  • Southern: -en (they singen)

Pronouns

  • Northern: “tham” (them)
  • Southern: “hem”
  • East Midlands: “them”

These variations help examiners test understanding of dialect patterns.


V. DIALECTS & LITERARY MOVEMENTS

Movement

Dominant Dialect

Alliterative Revival

West Midlands

Courtly Poetry

East Midlands

Religious Prose

Southern & Kentish

Ballads

Northern


VI. IMPORTANCE OF MIDDLE ENGLISH DIALECT STUDY (Exam Points)

  1. Shows evolution of English grammar
  2. Explains diversity of medieval literature
  3. Helps identify manuscript origins
  4. Reveals regional cultures
  5. Demonstrates how London English became Standard English

MIDDLE ENGLISH METRICS, STYLE & VERSE FORMS

The Middle English period saw two parallel poetic traditions developing at the same time:

  1. The Alliterative Tradition (native English)
  2. The Rhymed Syllabic Tradition (French & Italian influence)

Understanding these two styles is essential to understanding Middle English poetry.


I. THE ALLITERATIVE VERSE TRADITION

Also known as Alliterative Revival (14th century), this form has deep roots in Old English.


1. Structure of Alliterative Verse

A. Two half-lines

  • A full line is divided by a caesura (pause).
    Example:
    “On þis molde me lykes / litel to lenge”

B. Strong stresses

Each half-line typically contains two stressed syllables.

C. Alliteration

The stressed syllables of the half-lines begin with the same consonant sound.

Example from Piers Plowman:
“In a somer season, / when soft was the sonne”

D. Few rhymes

Rhyme is rare; rhythm comes from stress + alliteration.


2. Features of Alliterative Style

  • Rich descriptive language
  • Heavy use of compound words and kennings
  • Strong, dramatic imagery
  • Long rhythmic lines
  • Close connection to oral storytelling

3. Major alliterative works

  • Sir Gawain and the Green Knight
  • Pearl
  • Cleanness
  • Patience
  • Piers Plowman
  • Morte Arthure

These works revive Old English style with new poetic sophistication.


II. THE RHYMED SYLLABIC TRADITION (FRENCH INFLUENCE)

French and Italian influence brought rhyme, syllabic meter, and regular stanza forms.

This tradition is seen mostly in Chaucer and the courtly poets.


1. Key Characteristics

A. End rhyme

Lines end with rhyme rather than alliteration.

B. Syllabic meter

Poets counted syllables, especially iambic patterns.

C. Stanzaic structure

Poems organized into stanzas with fixed rhyme schemes.

D. Smooth flow

Lines are musical, elegant, and refined.

E. French poetic forms

  • Rondeau
  • Ballade
  • Virelai

III. CHAUCER’S METRICAL INNOVATIONS

Chaucer revolutionized English poetry.


1. Iambic Pentameter

Chaucer is the first English poet to use iambic pentameter consistently.

Structure:

  • 5 iambs = 10 syllables
  • Pattern: da-DUM da-DUM da-DUM da-DUM da-DUM

Example (from Canterbury Tales):
“And specially from every shires ende”

This meter becomes dominant in English poetry (Shakespeare, Milton, Pope).


2. Heroic Couplet

Chaucer introduced the heroic couplet into English.

Structure:

  • Two rhymed lines
  • Each line in iambic pentameter

Example:
“The lyf so short, the craft so long to lerne,
Th’ assay so hard, so sharp the conquering.”

Later used by Dryden and Pope.


3. Rhyme Royal

A major Chaucerian stanza form.

Structure:

  • 7-line stanza
  • Iambic pentameter
  • Rhyme scheme: ababbcc

Used in:

  • Troilus and Criseyde
  • Parliament of Fowls

This is one of the most elegant medieval English verse forms.


IV. IMPORTANT MIDDLE ENGLISH STANZA FORMS

Below is a clear breakdown of stanza patterns found in medieval poetry.


1. Ballad Meter

  • Alternating 4-beat and 3-beat lines
  • Rhyme scheme: abcb

Used in early ballads (Northern dialect).


2. Tail-Rhyme Stanza

Popular in romances.
Pattern often like:

aab ccb

Examples:

  • Sir Isumbras
  • Sir Launfal

3. Bob and Wheel (Gawain stanza)

Unique to Sir Gawain and the Green Knight.

Structure:

  • Long alliterative lines
  • Then a short bob (1–2 syllables)
  • Followed by a 4-line wheel (short rhymed lines)
  • Rhyme scheme: ababa

This creates a beautiful rhythmic contrast.


4. Octosyllabic Couplets

Eight-syllable rhymed lines.

Used by:

  • French poets
  • Early Chaucer
  • Many romances

5. Hymn and Devotional Stanzas

Used in:

  • Pearl
  • religious lyrics

Often complex with intricate internal rhyme.


V. POETIC DEVICES IN MIDDLE ENGLISH LITERATURE

Here are the most commonly used poetic devices, with examples.


1. Alliteration

Repetition of initial consonants.

Example (Langland):
“Fair was the field, full of folk”


2. Personification

Common in allegory.

Example:

  • Lady Mede
  • Holy Church
  • Good Deeds
  • Fellowship

3. Symbolism

Extremely important.

Examples:

  • Pearl = innocence
  • Green Knight = nature, trial
  • Pilgrimage = life journey

4. Irony

Chaucer’s favorite device.

Example:
Pardoner preaches against greed while being greedy.


5. Imagery

Middle English poets used vivid images of:

  • nature
  • seasons
  • the hunt
  • spiritual visions

6. Dialogue

Chaucer’s dramatic dialogues show character personality.


VI. RHYME SCHEMES IN MIDDLE ENGLISH POETRY (Important Table)

Form

Rhyme Scheme

Example

Heroic Couplet

aa bb cc

Chaucer

Rhyme Royal

ababbcc

Troilus

Ballad Stanza

abcb

Ballads

Tail-Rhyme

aab ccb

Romances

Bob & Wheel

ababa

Gawain

Octosyllabic couplets

aabbcc

Early romances


VII. SPECIAL VERSE FEATURES OF MAJOR POETS

Chaucer

  • Iambic pentameter
  • Heroic couplet
  • Rhyme royal
  • Smooth French-Italian style

Pearl Poet

  • Alliterative lines
  • Complex stanza cycles
  • Bob & wheel (Gawain)

Langland

  • Harsh, powerful alliteration
  • Long, irregular lines
  • Spiritual imagery

Gower

  • Regular rhyme
  • Moralistic tone
  • Smooth, didactic style

Malory

  • Prose, not verse
  • Rhythmic, oral storytelling style

MIDDLE ENGLISH LANGUAGE — VOCABULARY, SPELLING, GRAMMAR & PRONUNCIATION

The Middle English period represents one of the most profound language transformations in the history of English. The changes were so deep that a speaker of Old English (e.g., Beowulf poet) could not fully understand the English of Chaucer.

I. MIDDLE ENGLISH VOCABULARY (THE FRENCH INFLUX)

Middle English vocabulary expanded massively.

1. French Words Enter English After 1066

Almost 10,000 French words entered English.
Nearly 70% of them survive today.

Most borrowed categories:

A. Government & Law

·         crown

·         prince

·         parliament

·         court

·         judge

·         prison

·         justice

·         attorney

B. Food & Cooking

English animals + French meat names:

Living Animal (Anglo-Saxon)

Meat (French)

Cow

Beef (boeuf)

Pig

Pork (porc)

Sheep

Mutton (mouton)

Calf

Veal (veau)

French-speaking nobles ate the meat;
English-speaking peasants raised the animals → hence two vocabularies.

C. Military Terms

·         army

·         navy

·         battle

·         captain

·         soldier

D. Courtly Culture

·         romance

·         dance

·         music

·         fashion

·         beauty

·         perfume

·         jewel

E. Religion

·         miracle

·         sermon

·         charity

·         prayer

·         religion

·         saint

F. Literature & Learning

·         poet

·         story

·         chapter

·         literature

·         grammar


2. Latin Influence Remained Strong

Latin continued as the language of:

·         Church

·         higher learning

·         philosophy

·         medicine

·         science

·         legal documents

Thousands of Latin words came indirectly through French.


3. Scandinavian Influence in Northern Dialects

Northern Middle English shows strong Norse influence:

·         they

·         their

·         them

·         sky

·         egg

·         skill

·         window

These became basic English words later.


4. Native English Vocabulary Continued

Despite French domination, core English words survived:

·         house

·         mother

·         father

·         bread

·         child

·         love

·         hand

·         heart

These belong to Anglo-Saxon origin and form the emotional center of English.


II. MIDDLE ENGLISH SPELLING RULES

Middle English had no fixed spelling.

Causes:

·         no printing press until 1476

·         dialect variation

·         scribes wrote freely

·         French scribes replaced English scribes

Thus, spelling was chaotic and creative.


1. Replacement of Old English letters

Old English letters disappeared:

Old English

Middle English Change

þ (thorn)

th (thing → þing)

ð (eth)

th

æ (ash)

a or ae

ƿ (wynn)

w

So OE þæt → ME that.


2. French scribal influence changed spellings

Examples:

Old English

Middle English

cw → qu

cwene → queen

sc → sh

scip → ship

c → s (before e,i)

cild → child

u → v (initial)

vnder (under)


3. Scribes introduced new spelling conventions

·         “gh” used in words like night, light, though
(pronounced gutturally, not silent)

·         “wh” used for Old English hw
e.g., hwa → who, hwæt → what

·         “ou/ow” combinations: house, town

·         “ee/ea” combinations: see, sea


4. Double letters used for short vowels

E.g., bitter, summer, letter.

This practice appears in Ormulum.


III. MIDDLE ENGLISH GRAMMAR (GREAT SIMPLIFICATION)

The major characteristic of Middle English grammar is that it became much simpler.


1. Loss of Inflections

Old English was highly inflected.
Middle English lost:

·         noun case endings

·         most verb endings

·         grammatical gender

·         complex adjectives

Examples:

Old English

Middle English

stan, stanas, stane, stana

stone, stones

scipu, scipas

ships


2. Loss of Grammatical Gender

Old English nouns had:

·         masculine

·         feminine

·         neuter

Middle English → genderless nouns, based on meaning only.


3. Simplification of Verb System

Old English verbs had many forms.
Middle English reduced them significantly.

Examples:

Old English endings:

·         ic drinke

·         þu drinkast

·         he drinkeþ

Middle English:

·         I drink

·         thou drinkest

·         he drinketh

Later → he drinks (Modern).


4. Word Order Becomes Standard

Old English allowed flexible word order because of inflections.
Middle English needed fixed order:

Subject – Verb – Object
Example:
"John loves Mary"
(not "John Mary loves" as OE could allow).


IV. MIDDLE ENGLISH PRONUNCIATION

Middle English pronunciation was very different from Modern English.


1. Every letter was pronounced

Examples:

·         knight = “k-nicht”

·         light = “lich-t”

·         gnaw = “g-naw”

·         know = “k-now”

No silent letters existed.


2. “r” was strongly rolled

Similar to Scottish or Spanish “r”.


3. Vowels sounded like Italian vowels

Modern English vowel shift had not yet happened.

Examples:

·         a = father

·         e = bet

·         i = machine

·         o = not

·         u = put

Thus Chaucer’s English sounded closer to European languages.


4. Long vowels pronounced fully

Example:

·         “name” = “naa-meh”

·         “make” = “maa-keh”


5. The “gh” sound was guttural

Like the “ch” in Scottish loch.
So night sounded like nich-t.


V. MIDDLE ENGLISH SENTENCE STRUCTURE

Examples from Canterbury Tales:

Middle English:

“Whan that Aprille with his shoures soote…”

Word-by-word:

When that April with his showers sweet…

Features shown:

·         “soote” (sweet) shows “oo” vowel

·         “shoures” shows “ou” French spelling

·         “with his” = simplified grammar

·         no silent letters

·         rhythm is musical


VI. WHY DID THE LANGUAGE SIMPLIFY SO MUCH?

1.      Norman invasion brought French scribes → grammar lost consistency

2.      Intermarriage → simplified communication

3.      Loss of inflections due to language mixing

4.      English used mainly by commoners → tended toward simplification

5.      Dialects mixed in London → stable standard emerged

6.      Printing press later standardized forms

Result:

Middle English became a flexible, simplified, expressive language → foundation of modern English.


Summary

·         Middle English = age of great linguistic change

·         French added thousands of words

·         Grammar and inflections reduced

·         Vowels pronounced clearly

·         No silent letters

·         Spelling was inconsistent

·         East Midland dialect evolved into Modern English

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