TNTRB ASSISTANT PROFESSOR ENGLISH STUDY MATERIAL -II
MIDDLE ENGLISH AUTHORS (PART 1)
1. Geoffrey Chaucer (1343–1400)
“Father of English Literature”
“Father of English Poetry”
“Father of English Language”
“Morning Star of Renaissance”
“Father of English Realism”
⭐ 1.1 Life and Background
Geoffrey Chaucer was born in London around 1343 into a prosperous
wine-merchant family. England at this time was undergoing major changes: the
Black Death, the Hundred Years’ War, the rise of a merchant middle class, and
the breakdown of feudal values. Chaucer worked as a page in the royal
household, later becoming soldier, diplomat, courtier, controller of customs,
clerk of the works, and Member of Parliament. These varied duties allowed him
to meet every social class — knights, priests, merchants, peasants, sailors,
women of all statuses. This exposure shaped his realistic portrayal of society.
Chaucer travelled widely (France, Spain, Flanders, Italy). His visits to
Italy introduced him to Dante, Boccaccio, and Petrarch — a turning point that
brought classical humanism into English poetry. He died in 1400 and was buried
in Westminster Abbey. His tomb inaugurated the famous “Poets’ Corner”.
⭐ 1.2 Chaucer’s Literary Career
(Three Phases)
A. The French Period (up to 1372)
Influenced by French romances and allegories.
Major works:
- The
Book of the Duchess (elegy for Blanche of Lancaster)
- The
Romaunt of the Rose (translation/adaptation)
B. The Italian Period (1372–1384)
After exposure to Dante, Petrarch, Boccaccio.
Major Works:
- The
House of Fame
- The
Parliament of Fowls
- Troilus
and Criseyde (his greatest love-tragedy)
- The
Legend of Good Women
C. The English Period (1384–1400)
Chaucer’s mature voice; truly English in spirit.
Major Work:
- The
Canterbury Tales (his masterpiece)
⭐ 1.3 Chaucer’s Style
- Introduced
iambic pentameter
- Used heroic
couplet for the first time in English
- Blends realism
+ humour + irony
- Sensitive
to human psychology
- Uses natural
English speech
- First
great portrayer of women characters
- Characterization
through prologue description + dramatic dialogue
⭐ 1.4 Chaucer’s Major Works
✔ The Canterbury Tales
His greatest contribution. A group of 29 pilgrims at the Tabard Inn in
Southwark decide to travel to Canterbury and tell stories. Planned as 120
tales; completed only 24.
The General Prologue gives immortal portraits:
- Knight
- Squire
- Prioress
- Wife of
Bath
- Monk
- Friar
- Pardoner
- Summoner
- Clerk
of Oxford
- Ploughman
- Miller
- Reeve,
Cook, Franklin, Physician — many more
Chaucer mixes satire, humour, irony, and realistic observation. His
portrayal of the Church is critical but not malicious.
✔ Troilus and Criseyde
A tragic love story based on Boccaccio.
Important elements:
- Deep
psychological insight
- Criseyde
as a complex woman (not villain, not saint)
- Emotional
depth unprecedented in English literature
- Sometimes
called “the first English novel” (in verse form)
✔ The Parliament of Fowls
First dream vision introducing Valentine’s Day theme in English
literature. Birds choose mates under the guidance of Nature.
✔ The House of Fame
A dream poem describing the instability of reputation, fame, and news —
strikingly modern.
✔ The Legend of Good Women
Chaucer celebrates faithful women from classical myths. He was asked by
the God of Love to make amends for portraying unfaithful Criseyde.
⭐ 1.5 Chaucer’s Importance in
English Literature
- Raised
English to a literary language (alongside French and Latin)
- Human
nature portrayed with realism, sympathy, humour
- Foundation
of English poetic tradition
- Influenced
Spenser, Shakespeare, Dryden, Pope, Wordsworth, Eliot
⭐ 2. William Langland (1330–1386?)
“The Poet of Social Conscience”
“The Voice of the Poor in Medieval England”
⭐ 2.1 Life & Background
Not much is known, but believed to be:
- Born in
Shropshire
- Poor
clerk or minor cleric
- Lived
through the Black Death, Peasant Revolt, and Church
corruption
- Witnessed
poverty and suffering of peasants
This shaped his angry, moralistic view of society.
⭐ 2.2 Major Work: Piers Plowman
One of the greatest allegorical poems in English.
Structure
- Written
in alliterative verse
- Contains
passus (stages) instead of chapters
- Three
versions: A-text, B-text, C-text
Plot Overview
Narrator “Will” falls asleep and sees a series of allegorical visions
involving:
- Holy
Church
- Lady
Mede (bribery)
- Piers
the Plowman (Christ figure)
- Seven
Deadly Sins
- Reason
and Conscience
- Christ’s
Harrowing of Hell
- Antichrist,
Do-Well, Do-Better, Do-Best
Themes
- Corruption
in Church and State
- Hypocrisy
of clergy
- Salvation
through work and honesty
- Critique
of aristocracy
- Sympathy
for the oppressed
Unlike Chaucer’s humorous tone, Langland is serious, moralistic,
almost prophetic.
⭐ 3. John Gower (1330–1408)
“Moral Gower” (named by Chaucer)
Tri-lingual poet — wrote in Latin, French,
English
⭐ 3.1 Major Works
✔ Speculum Meditantis (French)
Moral and religious poem.
✔ Vox Clamantis (Latin)**
Describes the Peasants’ Revolt of 1381.
Criticizes social disorder, corruption, and weak kingship.
✔ Confessio Amantis (English)**
His greatest English poem.
- 20,000
lines
- A lover
confesses sins to Genius, priest of Venus
- Contains
hundreds of stories from mythology, Bible, and history
Gower is more moralistic and didactic than Chaucer.
⭐ 4. Sir Thomas Malory (1405–1471)
“Father of English Prose Romance”
Author of Le Morte d’Arthur
⭐ 4.1 Le Morte d’Arthur
Published in 1485 by William Caxton (first English printer).
Great compilation of Arthurian legends:
- Arthur
- Merlin
- Guinevere
- Lancelot
- Gawain
- Mordred
- Quest
for the Holy Grail
Themes
- Chivalry
- Loyalty
- Betrayal
- Idealism
vs. human weakness
Malory created the standard Arthurian narrative for English
culture.
⭐ 5. Minor Middle English Authors
- Pearl
Poet (Sir Gawain and the Green Knight, Pearl, Patience,
Cleanness)
- Mystery/Morality
Play authors (anonymous)
- Julian
of Norwich (Revelations of Divine Love)
- Margery
Kempe (The Book of Margery Kempe) — first English autobiography
Middle English Notes
Topics include:
- Norman
Conquest
- French
influence
- Middle
English dialects
- Feudalism
- Church
power
- Rise of
Middle Class
- Early
poetry
- Allegory
- Alliterative
revival
INTRODUCTION TO THE MIDDLE ENGLISH PERIOD
INTRODUCTION: THE
TRANSFORMATION OF ENGLISH (1066–1500)
The Middle English period is one of the most dynamic, transformative,
and culturally significant phases in the entire history of English literature.
It begins with the Norman Conquest of England in 1066, an event that
completely reshaped the linguistic, political, and social structure of the
country. Old English, which had been a Germanic language rich in inflections and
alliterative traditions, underwent a profound transformation when
French-speaking Normans took control. As a result of this cultural collision,
English absorbed large amounts of French vocabulary, simplified its grammar,
shifted its sound system, and eventually emerged as a flexible, expressive,
modern European language.
The Middle English period stretches for nearly 450 years, covering
profound moments in English history — the feudal system, the Crusades, the
Black Death, the Peasants’ Revolt, the growth of towns and guilds, the decline
of Catholic Church authority, and early stirrings of Renaissance thought. These
historical forces shaped not only the English language but also the literature
produced during this age.
This period produced some of the greatest early masterpieces of English
literature, including the works of Geoffrey Chaucer, William Langland, John
Gower, the Pearl Poet, Julian of Norwich, Margery Kempe, and Sir Thomas Malory.
It also gave rise to distinctive genres such as allegory, romance,
moral and mystical writing, chivalric prose, and drama in
the form of miracle and morality plays.
The age is marked by linguistic diversity, social tension,
and new literary forms. It stands between the heroic world of the
Anglo-Saxons and the intellectual humanism of the Renaissance. For this reason,
the period is often called “the bridge between the medieval and modern
world.”
⭐ THE NORMAN CONQUEST OF 1066 — A TURNING POINT
The Middle English period officially begins in 1066, when William
the Conqueror, Duke of Normandy, invaded England and defeated King Harold
at the Battle of Hastings. This victory brought the Normans — descendants
of Vikings who had settled in northern France — into complete control of
English territory.
Why is the Norman Conquest important?
Because it created the trilingual culture that defined the Middle
Ages in England:
- Norman
French — language of the court, aristocracy, law, government, literature.
- Latin —
language of church, scholarship, theology, science.
- Middle
English — language of common people, merchants, peasants, and eventually
writers.
For more than 200 years after 1066, French rule dominated political and
cultural life. The kings of England were French-speaking, and French customs
shaped the court. Many French nobles settled in England, bringing new tastes,
fashions, administrative systems, and literary traditions.
This created a powerful linguistic hierarchy:
- High-class:
French
- Learned
class: Latin
- Ordinary
people: English
But this situation changed gradually — and dramatically — over the next
three centuries as English reasserted its identity.
⭐ IMMEDIATE EFFECTS OF THE CONQUEST ON LITERATURE
AND CULTURE
1. Replacement of Old English Nobility
Most Anglo-Saxon lords were dispossessed and replaced by Norman barons
loyal to William.
This brought:
- A new
aristocratic culture
- New
ideals of chivalry, knighthood, courtly love
- French
literary tastes (romances, chansons, allegory)
2. Destruction of Old English Literary Tradition
Old English prose and poetry production slowed sharply.
Monastic scriptoria lost centrality.
Alliterative verse nearly disappeared.
French and Latin texts became dominant.
3. French Vocabulary Influx
Nearly 10,000 French words entered English.
Major areas influenced:
- Government:
crown, parliament, justice
- Food:
beef, pork, mutton
- Culture:
beauty, pleasure, fashion
- Society:
prince, noble, servant
- Literature:
romance, poet, prose
4. English Grammar Simplification
Middle English lost many:
- inflections
- case
endings
- grammatical
genders
English became easier, more flexible, more analytical.
⭐ THE TRILINGUAL CULTURE OF MEDIEVAL ENGLAND
One of the most important features of the Middle English period is that
it was multilingual. Different classes spoke different languages:
1. The Court and Nobility — French
Used for:
- Royal
officials
- Legal
procedures
- Diplomatic
negotiation
- Court
poetry
- High literature
2. The Church and Scholars — Latin
Used for:
- Theology
- Philosophy
- Bestiaries
- Sermons
- Histories
and chronicles
3. The Common People — Middle English
Used for:
- Daily
speech
- Commerce
- Folk
stories
- Local
songs and ballads
By the 14th century (Chaucer’s time), English rose again as a literary
language and began replacing French in many roles.
RISE OF MIDDLE ENGLISH AS A
NATIONAL LANGUAGE
Although French dominated political and aristocratic life after 1066,
English did not disappear. Instead, it survived in the speech of common people,
merchants, and regional communities. Over time, many key events caused English
to re-emerge as a national language.
⭐ 1. Intermarriage and Social
Integration
Normans and Anglo-Saxons gradually intermarried. By the late 12th
century:
- French
barons had English-born children
- Many
aristocrats spoke both French and English
- French
began to lose status as the “prestige language”
This blending eroded strict class barriers between French and English
speakers.
⭐ 2. Decline of French Influence
Two major events reduced the dominance of French in England:
A. Loss of Normandy (1204)
King John lost Normandy to France.
As a result:
- English
aristocrats lost lands in France
- They
became “more English than French”
- French
political ties weakened
- English
nationalism grew
B. The Hundred Years’ War (1337–1453)
War between England and France strengthened:
- English
pride
- English
identity
- English
language use
- Anti-French
feeling
This war is indirectly responsible for the resurgence of English
literature in the 14th century.
⭐ 3. English Replaces French in
Government
A series of laws re-established English as the main administrative
language.
1258 — First Official Document in English by Royal
Chancery
Henry III’s proclamation used English for the first time in government.
1362 — Statute of Pleadings
Declared English as:
- The
language of courts
- The
language of legal proceedings
French was officially replaced.
1385 — Schools Begin Teaching in English
English becomes:
- Medium
of instruction
- Language
of grammar schools
1399 — English Used in Coronation
Henry IV became the first king to deliver his coronation speech
in English.
By 1400, English had fully returned as the language of nation and
literature.
⭐ THE DEVELOPMENT OF MIDDLE ENGLISH DIALECTS
Middle English was not a single uniform language. Instead, it existed as
five major dialects, influenced by local history, geography, and
political centers.
⭐ 1. Northern
- Spoken
in: Yorkshire, Northumbria, Scotland
- Strong
Scandinavian influence
- Features:
- “a”
for “I” (“a saw him”)
- Plural
–s endings
- Literature:
Early ballads, Cursor Mundi
⭐ 2. West Midlands
- Spoken
in western England
- Conservative,
retained some Old English features
- Used
by: Pearl Poet (Sir Gawain and the Green Knight)
⭐ 3. East Midlands (Most
Important)
- Spoken
around: Cambridge, Oxford, London
- Became
the foundation of Modern English
- Used by
Chaucer, Langland, Gower
- Reasons
for dominance:
- London
was political center
- Thames
River route spread dialect
- Universities
used it
- Commercial
guilds adopted it
⭐ 4. Southern
- Retained
many Old English features
- Used by
religious writers
- Less
influential in later literature
⭐ 5. Kentish
- Spoken
in Kent region
- Some
unique spellings and pronunciation patterns
- Used
for sermons and local chronicles
⭐ SOCIAL AND CULTURAL BACKGROUND OF THE PERIOD
Understanding the Middle English age requires knowledge of major
institutions and forces shaping life.
⭐ 1. The Feudal System
Introduced by William after 1066.
Hierarchy:
- King
- Barons
/ Lords
- Knights
- Peasants
/ Serfs
Effects on Literature
- Growth
of romances about knights
- Ideals
of loyalty, honor, bravery
- Rise of
Arthurian myths
- Celebration
of chivalry and adventure
Romances became the most fashionable aristocratic genre during 12th–13th
centuries.
⭐ 2. The Catholic Church
The most powerful institution of medieval Europe.
Influence on Literature
- Monasteries
produced manuscripts
- Latin
scholarship dominated
- Morality
themes spread
- Allegory
became popular (e.g., Piers Plowman)
- Mystery
and Miracle plays developed
The Church shaped spiritual, moral, and intellectual life.
⭐ 3. Rise of Towns, Guilds & Merchant Class
After the 12th century, England saw:
- Rapid
urban growth
- Emergence
of merchants, craftsmen, bankers
- Decline
of feudal rural life
Literary Impact
- Demand
for English literature increased
- More
secular writing
- More
satire of clergy (Chaucer)
- Rise of
drama through guild-supported plays
This new class changed the direction of literature from purely religious
to more social and realistic themes.
⭐ 4. Major Social Crises of the Age
Three huge events reshaped Middle English society:
A. The Black Death (1348–1351)
- Killed
nearly one-third of the population
- Labor
shortage
- Decline
of serfdom
- Rise of
wages
- Social
mobility increased
B. The Peasants' Revolt (1381)
- Led by
Wat Tyler
- Response
to unfair taxes
- Reflected
anger against aristocracy
- Influenced
Langland and Gower
C. Church Corruption
- Sale of
indulgences
- Immoral
clergy
- Materialism
- Rise of
reform movements
These crises generated literature filled with social criticism, realism,
and human suffering.
FEATURES OF MIDDLE ENGLISH
LITERATURE
Middle English literature reflects massive transformation in language,
culture, society, and literary taste. Its primary features can be classified
into linguistic, thematic, and generic characteristics.
⭐ 1. Linguistic Features
A. Shift from Alliteration to Rhyme
Old English poetry used alliteration; Middle English poetry increasingly
adopted:
- end-rhyme
- syllabic
meter
- stanza
divisions
- iambic
rhythms
Chaucer eventually perfected iambic pentameter and heroic
couplet, which became dominant in later English poetry.
B. Simplification of Grammar
- Loss of
case endings
- Reduced
inflections
- Simplified
verb forms
- Greater
reliance on word order
This made the language more flexible and accessible for literary
creativity.
C. Massive French Vocabulary Influence
Words relating to:
- government
(council, crown, parliament)
- fashion
(robe, apparel, beauty)
- food
(beef, mutton, pork)
- arts
(romance, music, poet)
This fusion gave Middle English richness and expressive power.
⭐ 2. Thematic Features
A. Chivalry & Knighthood
Romances were filled with:
- daring
knights
- magical
quests
- courtly
love
- loyalty
to the lord
- tests
of honor
Arthurian literature flourished.
B. Religion & Morality
The Church deeply influenced life and literature.
Themes:
- sin and
salvation
- divine
justice
- moral
allegory
- visions
of heaven and hell
Langland’s Piers Plowman is the greatest moral allegory of this
age.
C. Realism
Especially in Chaucer:
- lively
depiction of common people
- humor,
irony, satire
- realistic
speech patterns
- portraits
of different professions
Middle English marked the beginning of realistic literature in
English.
D. Social Criticism
Causes:
- corruption
in the Church
- class
exploitation
- unfair
taxes
- moral
decay of aristocracy
Literature became a vehicle for protest and social reform.
E. Rise of Women’s Voices
For the first time:
- women
appear as complex characters (e.g., Wife of Bath)
- women
writers like Julian of Norwich and Margery Kempe emerge
⭐ 3. Literary Genres of Middle
English Period
The era was extraordinarily rich in genres. The most important are:
⭐ A. Romance (Most Popular Genre)
Features:
- knightly
adventures
- quests
for honor
- enchanted
forests, dragons, giants
- courtly
love
- moral
testing
Subtypes
- Breton
lais
- Arthurian
romances
- Crusade
romances
- Classical
romances (adaptations of Troy, Alexander)
Authors:
- Chrétien
de Troyes (French influence)
- English
romances like Sir Orfeo, King Horn, Havelok the Dane
- Later
perfected in English prose by Sir Thomas Malory
⭐ B. Allegory
An allegory uses symbolic characters and events to express moral,
religious, or political ideas.
Major allegorical works
- Piers
Plowman (Langland)
- Romance
of the Rose (translated by Chaucer)
- Chaucer’s
Parliament of Fowls
- Pearl (Pearl
Poet)
Allegory was extremely popular because medieval readers loved hidden
meanings and moral symbolism.
⭐ C. Dream Vision Poetry
Poet falls asleep → sees symbolic dream → wakes up with revelation.
Examples:
- Roman
de la Rose (French model)
- Chaucer’s
Book of the Duchess
- Parliament
of Fowls
- House
of Fame
- Pearl
Dream visions often explored:
- allegory
- psychology
- courtly
love
- political
commentary
⭐ D. Mystery, Miracle & Morality Plays
These were early forms of drama in England.
1. Mystery Plays
Stories from the Bible.
Performed by guilds on wagons.
Examples:
- Fall of
Lucifer
- Creation
- Noah
and the Flood
2. Miracle Plays
Stories of saints and their miracles.
Example: Life of St. Nicholas
3. Morality Plays
Characters are abstract virtues and vices.
Purpose: teach moral lessons.
Example: Everyman
These plays shaped later Elizabethan theatre, setting the stage for
Shakespeare.
⭐ E. Prose Literature
Prose begins to develop more strongly.
Major Works
- Ancrene
Wisse (religious manual for nuns)
- Wycliffe’s
Bible translation (14th century)
- Malory’s
Le Morte d’Arthur (15th century)
⭐ F. Chronicle Writing
Historical writing flourished.
Example:
- Brut
Chronicle
- Works
of Layamon
- Works
of Robert Mannyng
Chronicles mixed fact and myth and preserved the early national history
of England.
⭐ G. Lyric Poetry
Medieval lyrics explore:
- religious
devotion
- love
and loss
- nature
- festivals
Popular forms:
- carols
- ballads
(though ballads are largely late Middle English / early modern)
⭐ ALLITERATIVE REVIVAL (1350–1500)
A major literary phenomenon.
Around the 14th century, poets revived the Old English alliterative verse
tradition.
Characteristics
- repetition
of initial consonant sounds
- long
lines with strong stresses
- little
to no rhyme
Major works of the Alliterative Revival
- Sir
Gawain and the Green Knight
- Pearl
- Patience
- Cleanness
- Morte
Arthure
This revival shows a nostalgic return to native Anglo-Saxon poetic
style, balanced against the French-influenced rhyming tradition.
EARLY MIDDLE ENGLISH POETRY
(1100–1300)
Early Middle English literature is transitional. It bridges the heroic,
Germanic style of the Anglo-Saxons and the courtly, romance-driven culture of
the later medieval world.
This period saw:
- Loss of
Old English poetic complexity
- Growth
of simpler, more narrative forms
- Rise of
religious instruction in English
- Gradual
influence of French verse
- Development
of regional dialect literature
Though fewer works survive compared to Old English, this age laid the
foundations for the flourishing that would occur in the 14th century.
⭐ 1. Survivals of Old English
Tradition
Some early texts retain Anglo-Saxon elements:
A. The Peterborough Chronicle (continuation of
Anglo-Saxon Chronicle)
- Written
in early Middle English
- Shows
transition from Old English grammar to Middle English
- Rich
historical record (1135–1154)
B. The Owl and the Nightingale (c. 1180–1250)
- First
major debate poem in English
- Written
in rhymed couplets
- A
lively argument between Owl and Nightingale
- Combines:
- satire
- humour
- moral
advice
It marks a movement away from alliterative diction toward more
French-influenced poetic forms.
⭐ 2. Layamon’s Brut (c.
1200)
A monumental early Middle English poem.
Features
- 16,000
lines
- Based
on Wace’s French Roman de Brut
- Tells
the legendary history of Britain
- Includes
earliest Arthurian material in English
Importance
- Written
in a style close to Old English alliterative verse
- Shows
the blending of native and French traditions
- Lays
groundwork for later Arthurian literature
⭐ 3. Ormulum (c. 1200)
Written by the monk Orm.
A long religious poem providing homilies on Gospel readings.
Significance
- Written
in strict poetic metre
- Uses
unusual spelling system (double consonants for short vowels)
- Valuable
for understanding Middle English phonetics
⭐ THE POWERFUL INFLUENCE OF FRENCH LITERATURE
After 1066, English literature absorbed massive influence from French
genres.
⭐ 1. French Courtly Culture
The Normans introduced:
- courtly
manners
- aristocratic
tastes
- refined
poetic conventions
- interest
in fashion, feasts, tournaments
- court
patronage of literature
Writers attempted to imitate French elegance and refinement.
⭐ 2. French Narrative Poetry:
Romances
French romances dominated medieval literary tastes.
Themes
- heroic
knights
- magical
forests
- supernatural
challenges
- loyalty
to the king
- courtly
love
Famous Romance Cycles
- Matter
of Rome (classical: Troy, Alexander)
- Matter
of France (Charlemagne, Roland)
- Matter
of Britain (Arthurian legends)
Romances became the most important narrative form of the age.
⭐ 3. French Allegorical Tradition
French allegory influenced English writers deeply.
Best-known example:
Roman de la Rose — a massive allegory of love.
Chaucer translated a portion of it, making allegory a mainstream English
form.
⭐ 4. Influence on Vocabulary and
Style
French influence introduced:
- elegance
- rhyme
- regular
meter
- new
rhetorical devices
- new
genres (fabliau, lai, romance)
⭐ THE ROLE OF LATIN LITERATURE
Latin remained the language of:
- scholarship
- theology
- philosophy
- science
- law
- monastic
culture
Latin gave English literature:
- intellectual
depth
- scholastic
method
- moral
allegory
- religious
narratives
- mystical
writings
Many Middle English writers read Latin texts first-hand.
⭐ RISE OF ENGLISH PROSE
Prose begins to mature during this period.
⭐ 1. Religious Prose
- Sermons
- Saints’
Lives
- Guidance
for nuns
- Translations
of scriptures
Important Works:
- Ancrene
Wisse (Guide for anchoresses)
- Aelfric’s
Homilies (late Old English but influential in ME)
- Wycliffe’s
Bible (first complete English Bible translation)
⭐ 2. Secular Prose
By the late Middle Ages, prose expanded beyond religious themes.
Examples:
- Travel
literature (Mandeville’s Travels)
- Revelations
of Divine Love (Julian of Norwich)
- Autobiographical
writing (Margery Kempe)
- Chronicles
and histories
These works reveal the growing literacy among lay people.
⭐ COURT CULTURE AND ITS IMPACT ON LITERATURE
The court was the center of culture during the Middle English period.
⭐ 1. Patronage
Kings and nobles supported poets, musicians, and clerks.
This encouraged:
- romances
- courtly
lyrics
- love
narratives
- political
allegories
Chaucer himself benefited from royal patronage.
⭐ 2. Entertainment &
Performance
Courts regularly hosted:
- minstrels
- troubadours
- jongleurs
- dancing
- feasts
Their performances kept oral literature alive.
⭐ 3. Courtly Ideals
These shaped literary themes:
- honor
- loyalty
- perfect
love
- noble
suffering
- gentle
behavior
Courtly love became a defining theme across the age.
⭐ THE COURTLY LOVE TRADITION
Courtly love (fin’amor) is one of the most influential literary concepts
in medieval Europe.
Characteristics
- A
knight serves a noble lady
- His
love is exalted, spiritual, ideal
- Often
secret or unfulfilled
- He
performs heroic deeds to win her favor
- It
elevates moral perfection, not physical desire
Origins
- Troubadours
of Southern France
- Eleanor
of Aquitaine brought it to England
- French
poets like Chrétien de Troyes shaped the formula
Influence in English Literature
- Sir
Gawain and the Green Knight
- Chaucer’s
Troilus and Criseyde
- Many
Middle English lyrics
- Malory’s
Le Morte d’Arthur (Lancelot & Guinevere tragedy)
Courtly love helped transform English poetry from heroic to
psychological and romantic.
⭐ THE EMERGENCE OF SECULAR LITERATURE
As society became more urban and commercial, literature expanded beyond
religious themes.
Secular genres include:
- fabliaux
(comic, bawdy tales)
- satires
- beast
fables
- social
criticism
- travel
writing
- romances
- early
autobiography
Chaucer’s Canterbury Tales represents the height of secular
literature in the Middle Ages — a mixed portrait of pilgrims from all walks of
life.
THE ALLITERATIVE REVIVAL (1350–1500) — DETAILED ANALYSIS
The Alliterative Revival is one of the most significant and
unique literary movements in the Middle English period. While much Middle
English poetry was adopting French influences (rhyme, syllabic metre, courtly
themes), a group of poets—mostly in the North and West Midlands—returned
to native Old English alliterative verse traditions.
This produced a body of literature that is simultaneously:
·
distinctly medieval
·
deeply rooted in Anglo-Saxon poetic culture
·
stylistically fresh and innovative
⭐ 1. What is Alliterative Verse?
Features of Alliterative Verse
·
Lines divided into two half-lines by a caesura
·
Each half-line has two stressed
syllables
·
Alliteration binds the stresses together
·
Minimal use of rhyme
·
Vivid, concrete imagery
·
Use of kennings and formulaic expressions
·
Often portrays heroic or moral content
The verse form creates musicality, dramatic weight, and epic resonance.
⭐ 2. Why Did the Revival Occur?
Scholars believe it arose due to:
A. Regional Identity
Northern and West Midland regions retained more Anglo-Saxon linguistic
patterns.
B. Reaction to French Influence
Poets intentionally revived English poetic identity against French courtly
styles.
C. Oral Tradition Survival
Alliterative storytelling persisted among rural communities.
D. Desire for National Literature
Growing nationalism encouraged revival of native forms.
⭐ 3. Major Works of the Alliterative Revival
⭐ A. Sir Gawain and the
Green Knight
Anonymous “Pearl Poet”; West Midlands dialect.
Themes
·
Chivalry vs. human weakness
·
Courtly love vs. moral duty
·
Tests of character
·
Christian symbolism
·
Pagan folklore influences
This poem is considered one of the greatest masterpieces of medieval English
literature.
⭐ B. Pearl
A highly refined allegorical dream vision.
Themes
·
Death of a child
·
Theological meditation
·
Divine grace
·
Christian consolation
Its language is musical, delicate, and symbolically rich.
⭐ C. Patience
and Cleanness
Two moral-religious alliterative poems by the Pearl Poet.
·
Patience retells Jonah’s
story
·
Cleanness explores purity and
sin through biblical narratives
These poems show:
·
strong biblical knowledge
·
intense moral concern
·
mastery of alliterative structure
⭐ D. Morte Arthure
(Alliterative)
Not to be confused with Malory’s prose.
Themes:
·
fall of Arthur
·
tragedy of warfare
·
heroic loss
·
national decline
Represents a graver, more tragic vision of Arthurian legend.
⭐ E. The Vision of Piers
Plowman (Langland)
Although Langland uses alliteration, his work is:
·
more spiritual
·
satirical
·
philosophical
Langland’s alliterative verse is rough, powerful, and prophetic.
⭐ THEMES OF ALLITERATIVE REVIVAL POETRY
⭐ 1. Moral Seriousness
Almost all poets emphasize:
·
virtue
·
moral purity
·
justice
·
spiritual perfection
·
the weakness of humanity
⭐ 2. National Identity
These poems appear patriotic in their return to native style.
⭐ 3. Religious Allegory
Many alliterative poems explore questions of:
·
salvation
·
God’s justice
·
moral discipline
⭐ 4. Testing of Heroes
Characters undergo tests:
·
Gawain: honesty, courage, chastity
·
Jonah: obedience
·
Arthur: pride and downfall
⭐ 5. Symbolism and Supernatural Elements
Green Knight, enchanted girdle, dream-child in Pearl—symbolism
is central.
⭐ COMPARISON: ALLITERATIVE REVIVAL VS. CHAUCERIAN
TRADITION
|
Feature |
Alliterative
Revival |
Chaucerian
Style |
|
Style |
Alliteration, long lines |
Rhyme, iambic pentameter |
|
Origin |
Native English |
French/Italian influence |
|
Themes |
Moral, religious, heroic |
Social, comic, realistic |
|
Tone |
Serious, solemn |
Humorous, ironic |
|
Audience |
Provincial, regional |
Courtly, urban |
|
Writers |
Pearl Poet, Langland |
Chaucer, Gower |
Both represent the dual direction of Middle English
literature:
one looking back to Anglo-Saxon, another looking forward to Renaissance
humanism.
⭐ MAJOR MIDDLE ENGLISH LITERARY WORKS —
SUMMARIES
⭐ 1. Ancrene Wisse
(Guide for Anchorites)
A 13th-century prose manual advising three reclusive nuns on:
·
chastity
·
prayer and meditation
·
spiritual discipline
·
moral purity
·
avoiding temptation
It is notable for:
·
clarity of prose
·
emotional warmth
·
practical religious instruction
This text is one of the earliest examples of sophisticated English prose.
⭐ 2. Havelok the Dane
A popular Middle English romance.
Plot
·
Havelok, exiled Danish prince
·
Raised by fishermen
·
Suffers poverty
·
Regains royal identity
·
Marries Goldeboru
·
Recovers his lost throne
Themes
·
justice triumphs
·
suffering leads to greatness
·
ideal kingship
·
good rulers protect the poor
The poem blends realism with romance motifs.
⭐ 3. King Horn
One of the earliest English romances.
Plot Highlights
·
Horn, a prince, exiled by Saracens
·
Grows up among strangers
·
Falls in love with Rymenhild
·
Undergoes trials and battles
·
Returns to reclaim kingdom
Features
·
adventurous
·
moralizing
·
simple style
·
fusion of heroism & Christian values
⭐ 4. Cursor Mundi
A massive biblical narrative written in Northern dialect.
Significance
·
attempts to tell entire story of God and
humanity
·
educational and religious
·
important for dialect studies
⭐ 5. Ormulum
(recall from Part 4)
A religious text with special orthography.
Importance
·
source for early Middle English pronunciation
·
rare attempt at phonetic spelling
MIDDLE ENGLISH DRAMA: THE
BEGINNINGS OF ENGLISH THEATRE
Middle English drama marks the birth of English theatrical tradition.
Although drama flourishes fully in the Elizabethan age with Shakespeare, the
foundations were laid in medieval religious traditions.
⭐ 1. ORIGINS OF MIDDLE ENGLISH DRAMA
Drama originated inside the Church.
During early Middle Ages, priests dramatized parts of:
- the
Mass
- Biblical
readings
- Easter
stories
- Christmas
stories
These short performances were meant to teach the Bible to
illiterate people.
Later, drama moved outside the church onto streets and public
squares.
⭐ 2. TYPES OF MEDIEVAL DRAMA
There are three major types of Middle English drama:
⭐ A. Mystery Plays (Bible Plays)
Mystery = “Ministry” or “Mysteria” (Latin for “religious truth”).
Features
- Biblical
stories: Creation → Last Judgment
- Performed
by guilds (butchers, bakers, carpenters)
- Staged
on wagons (“Pageant wagons”)
- Very
popular, colorful, festive
Major Mystery Play Cycles
- York
Cycle (most complete)
- Chester
Cycle
- Wakefield
(Towneley) Cycle
- Coventry
Cycle
Famous Plays
- Noah’s
Flood
- The
Second Shepherds’ Play (Wakefield Cycle — most famous)
- The
Crucifixion
- The
Harrowing of Hell
Importance
Mystery plays represent the earliest form of popular theatre in
England.
⭐ B. Miracle Plays (Saints’ Plays)
Miracle plays dramatized the lives, miracles, and martyrdom of
saints.
Examples
- St.
Nicholas
- St.
Catherine
- Virgin
Mary miracles
Purpose: inspire faith, devotion, and admiration for saintly virtues.
Miracle plays were slightly less common than mystery plays.
⭐ C. Morality Plays (Moral
Allegories)
Morality plays are the most important contribution of medieval
drama to English literature.
Features
- Allegorical
characters:
- Everyman,
Fellowship, Good Deeds
- Pride,
Envy, Gluttony
- Death,
Friendship, Knowledge
- Teach
moral lessons
- Represent
spiritual journey of human soul
- Not
biblical events — symbolic
⭐ Most Famous Morality Play: Everyman
- Personification
of virtues & vices
- Deals
with death, salvation, repentance
- Theme: Only
Good Deeds accompany man to grave
Morality plays prepared the way for:
- allegory
in Renaissance literature
- Shakespeare’s
symbolic characters
- Elizabethan
stage conventions
⭐ 3. SECULAR DRAMA
By the 15th century, drama begins to move away from the Church.
Features
- Farce
- Festivals
- Comic
interludes
- Folk plays
- Robin
Hood plays
Secular drama reflects the slow birth of professional theatre.
⭐ COURT POETRY AND THE RISE OF SECULAR THEMES
While religious literature dominated early Middle Ages, courtly culture
eventually inspired a new kind of poetry marked by elegance, romance,
and personal emotion.
⭐ 1. Courtly Lyrics
Courtly love, refined manners, and aristocratic ideals shaped Middle
English lyric poetry.
Themes
- devotion
to a lady
- distant,
idealized love
- emotional
suffering
- joy and
sadness
- spiritualized
affection
Forms
- carols
- love
lyrics
- ballads
- rondeaux
(French forms)
These influenced Chaucer’s early works.
⭐ 2. Poems of the Pearl Poet
The "Pearl Poet" (also called "Gawain Poet") created
four of the greatest Middle English poems:
- Sir
Gawain and the Green Knight
- Pearl
- Patience
- Cleanness
Characteristics
- courtly
sophistication
- moral
purity
- allegorical
richness
- intricate
stanza forms
- deep
symbolism
A major figure of late Middle English literature.
⭐ 3. Pastoral and Nature Poetry
Nature becomes symbolic:
- spring
as renewal
- winter
as sorrow
- birds
as love messengers
Lyrics like “Sumer is icumen in” show joy of natural cycles.
⭐ MIDDLE ENGLISH POLITICAL & SOCIAL LITERATURE
The age witnessed intense political unrest:
- heavy
taxes
- wars
- corruption
- peasant
oppression
Writers responded with satire and criticism.
⭐ 1. John Gower
Works:
- Vox
Clamantis (Latin): condemns Peasants’ Revolt of 1381
- Confessio
Amantis: commentary on human sin and moral weakness
He attacked the corruption of all classes.
⭐ 2. William Langland — Piers
Plowman
This is the greatest social critique of Middle English
literature.
Themes:
- corruption
of Church
- greed
of aristocracy
- hypocrisy
of friars
- suffering
of poor
- spiritual
struggle for salvation
Written in alliterative verse, combining prophetic anger with
moral insight.
⭐ 3. Chaucer’s Social Satire
In The Canterbury Tales, Chaucer:
- exposes
corruption in clergy
- mocks
pretentious nobles
- criticizes
dishonest tradesmen
- portrays
women with independence and complexity
Chaucer’s realism is unmatched in medieval Europe.
⭐ MIDDLE ENGLISH PROSE DEVELOPMENT
Prose becomes important in later medieval period.
⭐ 1. Religious Prose
A. Wycliffe Bible (1380s)
- First
complete Bible translation into English
- Sparked
religious reform movements
- Made
scripture accessible to common people
B. Julian of Norwich — Revelations of Divine
Love
- First
known female English writer
- Mystical
experiences
- Theology
of divine love and compassion
C. Ancrene Wisse
- Handbook
for female hermits
- Blend
of moral advice, emotional comfort, spirituality
These works form the core of medieval English prose spirituality.
⭐ 2. Autobiographical Prose
Margery Kempe — The Book of Margery Kempe
(1430s)
- First
English autobiography
- Describes
visions, pilgrimages, struggles
- Written
through a scribe
- Rare
glimpse into medieval woman's life
⭐ 3. Secular Prose
Sir John Mandeville — The Travels of Sir John
Mandeville
- Adventurous
travel narratives
- Exotic
places, monsters, marvels
- Half
real, half fantasy
- Very
popular in Europe
⭐ ENGLISH PROSE MASTERPIECE OF THE PERIOD
⭐ Sir Thomas Malory — Le Morte
d’Arthur
Published by William Caxton (1475–1485)
- Standard
version of Arthurian legends
- Includes
tales of:
- Arthur
- Merlin
- Lancelot
& Guinevere
- Gawain
- Mordred
- Grail
Quest
Significance
- First
major English prose masterpiece
- Marks end
of Middle Ages
- Bridges
medieval romance & Renaissance prose
CHARACTERISTICS OF MIDDLE
ENGLISH LITERATURE
Middle English literature is extraordinarily diverse because English
society was undergoing massive change. These characteristics give the period
its distinctive literary personality.
⭐ 1. Blending of Old and New Cultural Elements
The period is defined by the fusion of:
- Old
English heroic tradition
- French
romance style
- Latin
ecclesiastical learning
- New
secular urban culture
This mixture produced a literature rich in variety and experimentation.
Examples:
- Sir
Gawain blends chivalry (French) + alliteration (English)
- Chaucer
blends Italian narrative models + English realism
- Langland
blends biblical allegory + social satire
This hybrid culture is unique to medieval England.
⭐ 2. Rise of Realism
Middle English literature brought realism into English writing for the
first time.
Chaucer’s Realism:
- Accurately
portrays medieval professions
- Uses
everyday speech
- Depicts
characters with psychological depth
- Avoids
moralizing/idealizing
- Introduces
humor and irony
Example:
Wife of Bath is one of the most realistic female characters before Shakespeare.
Langland’s Realism:
- Exposes
poverty
- Portrays
corruption in clergy
- Describes
daily life of peasants
Gower’s Realism:
- Accurate
political commentary
Realism became the Middle English period’s greatest legacy.
⭐ 3. Rise of Individual Voice
Old English literature is largely anonymous and communal.
Middle English literature introduces individual authorship:
- Chaucer
signs his works
- Gower
writes confession-style poems
- Langland
inserts himself as “Will”
- Julian
of Norwich writes in first-person mystical voice
- Margery
Kempe writes the first English autobiography
This shift marks the birth of authorial identity in English
literature, foreshadowing the Renaissance.
⭐ 4. Secularization of Literature
Although the Church dominated early medieval life, later Middle English
literature shows a dramatic expansion of secular themes:
Secular Genres:
- romances
- fabliaux
(comic tales)
- satire
- autobiographical
writing
- love
lyrics
- travel
literature
- beast
fables
Example:
Chaucer’s Canterbury Tales is not a religious text at all — it is
a social panorama of all English classes, filled with humour and criticism.
⭐ 5. Rise of National Identity
English nationalism increased due to:
- Hundred
Years’ War
- Decline
of French rule
- Black
Death & labor changes
- English
replacing French in law and government
This created a new pride in English language and literature.
Literary reflection:
- Alliterative
Revival returned to Anglo-Saxon roots
- Wycliffe
translated Bible into English
- Chaucer
wrote in English, not French
- Malory’s
Arthurian prose shaped national myth
The period marks the rebirth of English as a literary language.
⭐ 6. Allegory as Dominant Literary Device
Medieval writers loved allegory.
Why?
- Church
encouraged moral literature
- Latin
learning valued symbolism
- Medieval
audience enjoyed hidden meanings
Major Allegories:
- Piers
Plowman
- Pearl
- House
of Fame
- Roman
de la Rose (influence)
- Everyman
(morality play)
Characteristics:
- personified
virtues/vices
- moral
journeys
- dream
visions
- symbolic
landscapes
- spiritual
struggles
Allegory is one of the strongest features of Middle English literature.
⭐ 7. Moral and Religious Instruction
Literature often served moral purposes:
- to
teach virtue
- condemn
sin
- warn
against corruption
- prepare
souls for salvation
Even secular texts contain moral undercurrents.
Examples:
- Gawain’s
trial of chastity
- Troilus’
fall teaches instability of worldly love
- Langland
condemns greed and hypocrisy
- Morality
plays teach spiritual wisdom
⭐ 8. Importance of Courtly Love and Chivalry
Courtly love shaped aristocratic literature.
Features:
- devotion
to a high-born lady
- secrecy
- idealization
- emotional
suffering
- moral
refinement
Examples:
- Sir
Gawain and the Green Knight
- Chaucer’s
Troilus and Criseyde
- Lyrics
and romances
- Arthurian
stories
Chivalry (the knight’s code) became a central theme:
- courage
- loyalty
- truth
- generosity
This idealized social order influenced even religious texts.
⭐ 9. Development of Drama
Drama evolves through:
A. Mystery Plays → Bible stories
B. Miracle Plays → Saints’ legends
C. Morality Plays → abstract virtues/vices
Drama moved from church to town squares, leading to professional
theatre later.
⭐ 10. Growth of Women’s Writing and Voices
Medieval women rarely wrote, but in this period:
Julian of Norwich
- First
woman to write a book in English
- Mystic,
theologian
- “All
shall be well” — famous line
Margery Kempe
- First
English autobiography
- Travel,
visions, struggles
Wife of Bath (fiction)
- Bold,
experienced, intellectual
- Speaks
openly about marriage and desire
Women’s voices became more significant than in any previous English
period.
⭐ 11. Mixing of Genres and Styles
Middle English literature is experimental:
- blends
prose & poetry
- mixes
romance with satire
- blends
religious vision with social commentary
- uses
both alliteration and rhyme
- combines
French, Latin, and English influences
This creative mixture makes the period rich and unpredictable.
⭐ 12. Expansion of Vocabulary
The combination of French + English produced thousands of new words:
- government
- justice
- beauty
- honour
- religion
- romance
- art
- music
This linguistic richness empowered complex literary expression.
⭐ IMPORTANT CHART: OLD ENGLISH VS. MIDDLE ENGLISH
|
Feature |
Old English |
Middle English |
|
Language |
Germanic |
Mix of
English + French |
|
Poetry |
Alliteration |
Rhyme,
meter |
|
Themes |
Heroic,
fate |
Love,
satire, religion |
|
Authors |
Mostly
anonymous |
Chaucer,
Langland, Gower |
|
Drama |
None |
Mystery/Miracle/Morality
plays |
|
Prose |
Religious |
Religious
+ secular |
|
Worldview |
Pagan-Christian
blend |
Christian-European |
MAJOR MIDDLE ENGLISH WORKS
— DETAILED SUMMARIES
We cover the monumental works of five key authors:
- Geoffrey
Chaucer
- William
Langland
- John
Gower
- The
Pearl Poet
- Sir
Thomas Malory
⭐ 1. Geoffrey Chaucer — The Canterbury Tales
Chaucer’s The Canterbury Tales is the most influential work of
Middle English literature and a foundational text in English literary history.
⭐ 1.1 FRAMEWORK
The work is a frame narrative:
- 29
pilgrims gather at the Tabard Inn, Southwark
- Travel
to the shrine of St. Thomas Becket, Canterbury
- Each
pilgrim should tell 4 tales (2 going, 2 returning)
- Only 24
tales were written
HOST:
Harry Bailly, the host of the inn, guides and manages the storytelling
competition.
⭐ 1.2 IMPORTANT CHARACTERS FROM THE GENERAL PROLOGUE
Chaucer creates the first modern English character-study.
Some iconic portraits:
Knight
- Noble,
chivalrous, humble
- Represents
highest medieval ideal
Squire
- Young,
romantic, skilled in arts
- Loves
passionately
Prioress
- Pretentious,
delicate, courtly manners
- Satire
of religious hypocrisy
Wife of Bath
- 5
husbands
- Experienced,
confident, outspoken
- Earliest
feminist voice in English literature
Pardoner
- Corrupt
seller of indulgences
- Carries
fake relics
- Smiles
like a “gelded mare”
Summoner
- Ugly,
immoral
- Speaks
Latin phrases when drunk
Clerk of Oxford
- Quiet,
scholarly
- Loves
books more than food
Ploughman
- Honest,
hardworking
- Humble
farmer
- Most
moral character
Through these pilgrims, Chaucer portrays every social class in
medieval England.
⭐ 1.3 THEMES IN THE CANTERBURY TALES
- Corruption
in the Church
- Gender
roles
- Courtly
love vs. real love
- Human
folly and vice
- Social
diversity
- Satire
and humour
- Moral
lessons expressed ironically
Chaucer blends humour, moral insight, and realism in a way no previous
English writer had achieved.
⭐ 2. William Langland — Piers Plowman
One of the greatest allegorical poems in English. A complex, prophetic
work written in alliterative verse.
⭐ 2.1 STRUCTURE
- Three
versions: A, B, C
- Divided
into Passus (“steps”)
- Narrator
“Will” experiences spiritual visions
⭐ 2.2 CONTENT SUMMARY
Vision I:
Holy Church instructs Will about Truth.
Vision II:
Lady Mede (bribery) symbolizes corruption in society.
Vision III:
Piers the Plowman appears as a Christ-like figure.
Seven Deadly Sins
Each sin is portrayed vividly — a medieval psychological analysis.
Christ’s Passion & Harrowing of Hell
Deep religious symbolism.
Do-Well, Do-Better, Do-Best
Three spiritual states of Christian life:
- Do-Well
= living morally
- Do-Better
= deeper charity
- Do-Best
= Christ-like perfection
⭐ 2.3 THEMES
- Criticism
of corrupt clergy
- Importance
of honest labor
- Salvation
through moral life
- Poverty
of the common man
- Hypocrisy
and greed
Langland is the prophetic voice of medieval England.
⭐ 3. John Gower — Confessio Amantis
A massive 20,000-line poem written in English.
⭐ 3.1 FRAMEWORK
- A lover
confesses sins to Genius, priest of Venus
- Structure:
Each book focuses on one of the Seven Deadly Sins
⭐ 3.2 CONTENT
Gower includes over 100 stories from:
- classical
mythology
- Bible
- history
- legends
Examples:
- Narcissus
- Medea
- Apollonius
of Tyre (the longest & most famous tale)
- Constance
⭐ 3.3 THEMES
- Moral
instruction
- Human
sinfulness
- Corruption
of society
- Love’s
dangers and temptations
- Balance
between pleasure and virtue
Unlike Chaucer, Gower is serious, moralistic, and didactic.
⭐ 4. The Pearl Poet — Sir Gawain and the Green
Knight
Considered one of the masterpieces of medieval literature.
⭐ 4.1 PLOT SUMMARY
- Christmas
feast at Camelot
- Green
Knight challenges the Round Table
- Gawain
accepts the “beheading game”
- Cuts
off Green Knight’s head → Knight picks it up
- Gawain
must seek him at the Green Chapel
- Stays
with Sir Bertilak’s castle
- Tempted
by Lady Bertilak
- Accepts
magical green girdle
- Final
confrontation: Green Knight lightly wounds Gawain
- Reveals
himself as Bertilak
- Test of
character successfully completed
⭐ 4.2 THEMES
- Chivalry
vs. human imperfection
- Testing
of honour
- Courtly
love and moral danger
- Temptation
- Christian
confession
- Symbolism
of the green color
⭐ 4.3 STYLE
- Alliterative
verse
- Rich
symbolic patterns
- Blending
of pagan and Christian elements
⭐ 5. The Pearl Poet — Pearl
A deeply mystical allegorical poem.
⭐ PLOT
- Father
loses a child (2-year-old girl)
- Falls
asleep in garden
- Dream
vision: sees his daughter as a radiant maiden in heaven
- She teaches
him:
- the
nature of God’s grace
- eternal
reward
- acceptance
of divine will
- Father
tries to cross a river to reach her
- Wakes
up instead
⭐ THEMES
- grief
- innocence
- divine
mercy
- vision
of New Jerusalem
- spiritual
consolation
⭐ 6. Sir Thomas Malory — Le Morte d’Arthur
The most influential Arthurian text in English literature.
⭐ 6.1 CONTENT OUTLINE
- Birth
of Arthur
- Merlin’s
guidance
- Sword
in the Stone
- Knights
of the Round Table
- Lancelot
and Guinevere love story
- Quest
for the Holy Grail
- Treason
of Mordred
- Final
battle
- Death
of Arthur
- Avalon
⭐ 6.2 THEMES
- chivalry
and honor
- betrayal
- tragic
downfall
- loyalty
- ideal
vs. real
- moral
failure
Malory’s work unifies all Arthurian cycles into a single grand
narrative.
MAJOR THEMES, MOVEMENTS
& COMPARISON CHARTS OF MIDDLE ENGLISH LITERATURE
⭐ A. MAJOR THEMES ACROSS MIDDLE ENGLISH LITERATURE
The Middle English period contains five dominant themes, repeated
across poetry, romance, drama, prose, and allegory.
⭐ 1. Religion and Morality
Medieval England was deeply religious, and this is reflected in much of
its literature.
Examples:
- Piers
Plowman — moral struggle, salvation
- Pearl —
divine grace, heavenly reward
- Everyman —
repentance, judgment
- Ancrene
Wisse — devotional rules
Core Message:
Humans must seek salvation through virtue, confession, humility, and good
deeds.
⭐ 2. Chivalry and Knightly Virtues
Chivalry is the moral code of the medieval knight. Literature
emphasizes:
- courage
- honor
- truthfulness
- loyalty
- generosity
Examples:
- Sir
Gawain and the Green Knight
- Arthurian
romances
- Morte
d’Arthur
- Early
romances like Havelok the Dane
Chivalry = Moral Ideal + Social Duty
⭐ 3. Courtly Love
The concept of “noble, refined, spiritualized love.”
Characteristics:
- knight
serves lady
- love is
idealized
- often
unfulfilled
- creates
emotional tension
- associated
with nobility
Examples:
- Troilus
and Criseyde
- Lancelot
& Guinevere (Malory)
- Breton
lais
⭐ 4. Social Criticism
Literature often exposes corruption and societal flaws.
Examples:
- Langland
attacks Church corruption
- Chaucer
satirizes clergy, aristocrats, and commoners
- Gower
critiques political failures
- Popular
ballads criticize authority
This marks the birth of English social realism.
⭐ 5. Human Psychology and
Individuality
Middle English writers begin to explore:
- personal
emotion
- conscience
- inner
struggle
- psychology
of characters
Examples:
- Chaucer’s
detailed portraits (Wife of Bath, Pardoner)
- Gawain’s
internal conflict
- Dreamer’s
grief in Pearl
- Autobiographical
voice in Margery Kempe
This represents the early development of psychological literature.
⭐ B. CHARTS: LITERARY MOVEMENTS OF MIDDLE ENGLISH
PERIOD
⭐ 1. Timeline Overview
|
Period |
Key Events |
Key Writers |
|
1066–1200 |
Norman
Conquest, French dominance |
Layamon,
Orm, early romances |
|
1200–1350 |
English
re-emerges; French influence moderates |
Cursor
Mundi, Owl & Nightingale, Ancrene Wisse |
|
1350–1400 |
Golden
Age; Alliterative Revival |
Chaucer,
Langland, Pearl Poet, Gower |
|
1400–1500 |
Transition
to Renaissance |
Malory,
early drama, political prose |
⭐ 2. Major Literary Forms
|
Genre |
Features |
Examples |
|
Romance |
Knights,
quests, love |
Gawain, Havelok, King Horn |
|
Allegory |
Symbolism,
moral ideas |
Piers Plowman, Pearl |
|
Dream
Vision |
Visionary
dreams |
Book of Duchess, Pearl |
|
Drama |
Biblical/moral
stories |
Mystery/Miracle/Morality
plays |
|
Court
Poetry |
Love,
aristocratic themes |
Chaucer’s
early works |
|
Prose |
Religious
& secular |
Le Morte d’Arthur, Wycliffe Bible |
⭐ C. POETRY COMPARISON CHART: ALLITERATIVE REVIVAL
VS. ROMANCE TRADITION
|
Feature |
Alliterative Revival |
Romance Tradition |
|
Style |
Alliteration,
long lines |
Rhyme,
meter |
|
Language |
Native
English |
French
influence |
|
Tone |
Serious,
moral |
Adventurous,
courtly |
|
Themes |
Religion,
morality, trials |
Love,
quests, heroism |
|
Examples |
Gawain, Pearl, Piers Plowman |
Sir Orfeo, Havelok, Arthurian tales |
⭐ D. CHAUCER VS. LANGLAND VS. GOWER (EXAM TABLE)
|
Feature |
Chaucer |
Langland |
Gower |
|
Style |
Realistic,
humorous |
Moral,
prophetic |
Moralistic,
didactic |
|
Form |
Rhyme,
iambic pentameter |
Alliteration |
Rhyme |
|
Focus |
Society,
human nature |
Sin,
salvation |
Human sins |
|
Tone |
Irony, wit |
Serious,
visionary |
Calm,
instructive |
|
Language |
London
English |
West
Midlands |
London
English |
|
Major Work |
Canterbury Tales |
Piers Plowman |
Confessio Amantis |
This table helps differentiate the three greatest Middle English poets.
⭐ E. THEMATIC COMPARISON ACROSS MAJOR WORKS
⭐ 1. Religious Themes
|
Work |
Type |
Religious Theme |
|
Pearl |
Vision
poem |
Salvation,
divine grace |
|
Piers Plowman |
Allegory |
Struggle
for holiness |
|
Everyman |
Morality
play |
Good deeds
lead to salvation |
|
Ancrene Wisse |
Prose |
Devotional
discipline |
⭐ 2. Romantic/Chivalric Themes
|
Work |
Focus |
Key Values |
|
Sir Gawain |
Knight
tested |
Honor,
truth, courage |
|
Troilus & Criseyde |
Love
tragedy |
Courtly
love, fate |
|
Morte d’Arthur |
Arthurian
world |
Loyalty,
betrayal |
⭐ 3. Social Satire Themes
|
Work |
Focus of Satire |
|
Canterbury Tales |
Church,
professions, morality |
|
Piers Plowman |
Clergy,
nobility, greed |
|
Gower’s
works |
Political
and moral corruption |
⭐ F. LITERARY DEVICES IN MIDDLE ENGLISH LITERATURE
⭐ 1. Allegory
Personified virtues & vices; symbolic journeys.
⭐ 2. Dream Vision
Dreamer receives spiritual or moral insight.
⭐ 3. Courtly Rhetoric
Elegant vocabulary influenced by French.
⭐ 4. Irony & Satire
Chaucer’s main tool; gently mocks society.
⭐ 5. Alliteration & Symbolism
Prominent in the Alliterative Revival.
⭐ 6. Dialogue &
Characterization
Chaucer’s realistic dialogue became a major innovation.
⭐ G. THEMATIC MAP OF MAJOR WORKS (Very Useful for
Students)
|
Theme |
Chaucer |
Langland |
Pearl Poet |
Malory |
|
Religion |
Moderate |
Strong |
Strong |
Moderate |
|
Realism |
Strong |
Moderate |
Weak |
Low |
|
Chivalry |
Medium |
Low |
High |
Strong |
|
Courtly
Love |
High |
Low |
Medium |
High |
|
Social
Critique |
Strong |
High |
Low |
Medium |
|
Allegory |
Medium |
Very High |
Very High |
Low |
|
Heroism |
Medium |
Low |
High |
High |
⭐ H. KEY SYMBOLS IN MIDDLE ENGLISH TEXTS
|
Work |
Symbol |
Meaning |
|
Pearl |
Pearl |
innocence,
purity, lost child |
|
Sir Gawain |
Green
Girdle |
human
weakness |
|
Sir Gawain |
Green
Knight |
nature,
trial, spiritual test |
|
Piers Plowman |
Piers |
Christ/Truth |
|
Everyman |
Journey |
life →
death → judgment |
|
Canterbury Tales |
Pilgrimage |
human life
journey |
⭐ I. IMPORTANT 15-MARK EXAM POINTS (SUMMARY)
Use these as frames for TRB long answers:
1. Middle English is the age of linguistic fusion
English + French + Latin → rich vocabulary and mixed styles.
2. Period of dual literary traditions
- Courtly
French romance
- Native
English alliterative revival
3. Rise of English as national language
Hundred Years’ War, Black Death, Statute of Pleadings, Chaucer’s
influence.
4. Development of new genres
Drama, romance, allegory, dream vision, secular prose.
5. Emergence of authorial identity
Chaucer, Langland, Gower, Pearl Poet, Malory.
GLOSSARY OF IMPORTANT
MIDDLE ENGLISH TERMS & CONCEPTS
⭐ A. MIDDLE ENGLISH LITERARY TERMS (GLOSSARY)
⭐ 1. Alliterative Verse
A poetic form using repetition of initial consonant sounds across
stresses.
Common in Old English, revived in the 14th century (Alliterative Revival).
Used in:
- Sir
Gawain and the Green Knight
- Piers
Plowman
⭐ 2. Allegory
A narrative in which characters and events symbolize moral, spiritual,
or political meanings.
Examples:
- Langland’s
Piers Plowman
- Everyman
(morality play)
- Pearl
⭐ 3. Dream Vision
A popular medieval genre where the poet falls asleep and experiences a
symbolic dream.
Example:
- Chaucer’s
Book of the Duchess
- Pearl
- House
of Fame
⭐ 4. Courtly Love
Medieval code of romantic behavior: idealized, refined, distant love
between a knight and a noble lady.
Appears in:
- Troilus
and Criseyde
- Arthurian
legends
⭐ 5. Chivalry
Knightly moral code including bravery, courtesy, loyalty, and protection
of the weak.
⭐ 6. Fabliau
Short, comic, often bawdy tale that mocks hypocrisy and human weakness.
French in origin.
Examples:
- Miller’s
Tale (Chaucer)
- Reeve’s
Tale
⭐ 7. Romance
Medieval narrative centered on heroic knights, quests, supernatural
elements, and love.
Examples:
- Sir
Gawain
- Havelok
the Dane
- Sir
Orfeo
⭐ 8. Morality Play
Dramatic allegory featuring personified virtues and vices.
Example:
- Everyman
⭐ 9. Mystery Plays
Dramas depicting Biblical stories.
Example:
- York
Cycle’s Crucifixion play
⭐ 10. Miracle Plays
Dramas depicting saints’ miracles.
⭐ 11. Gentilesse
A medieval concept meaning noble character, courtesy, virtue.
Frequently explored by Chaucer.
⭐ 12. Estates Satire
A medieval genre that critiques the three estates:
- clergy
- nobility
- peasants
Chaucer uses this in:
- The
General Prologue
⭐ 13. Lais
Short narrative poems, often involving fairies, love, magic.
Introduced to England from French tradition.
⭐ 14. Harrowing of Hell
Christ’s descent into hell to free souls; common in mystery plays and Piers
Plowman.
⭐ 15. Courtesy Books
Guides on polite behavior for medieval nobility. Influenced knightly
romances.
⭐ B. IMPORTANT MIDDLE ENGLISH AUTHORS (QUICK
REFERENCE LIST)
⭐ 1. Geoffrey Chaucer
- Canterbury
Tales
- Troilus
and Criseyde
- Parliament
of Fowls
⭐ 2. William Langland
- Piers
Plowman
⭐ 3. John Gower
- Confessio
Amantis
⭐ 4. Pearl Poet
- Sir
Gawain and the Green Knight
- Pearl
- Cleanness
- Patience
⭐ 5. Sir Thomas Malory
- Le
Morte d’Arthur
⭐ 6. Layamon
- Brut
⭐ 7. Orm
- Ormulum
⭐ 8. Julian of Norwich
- Revelations
of Divine Love
⭐ 9. Margery Kempe
- The
Book of Margery Kempe
⭐ 10. Wycliffe
- First
English Bible Translation
⭐ C. MAJOR LITERARY FORMS OF THE MIDDLE ENGLISH
PERIOD
⭐ 1. Poetry
A. Alliterative Poetry
- Native
tradition
- Alliteration
instead of rhyme
- Strong stress
patterns
- 14th-century
revival
Texts:
- Sir
Gawain
- Piers
Plowman
B. Courtly Poetry
- Romantic
- Elegant
style
- Influenced
by French court culture
Texts:
- Chaucer’s
early works
C. Love Lyrics
Often connected to spring, nature, and courtly love.
D. Religious Poetry
- Devotion
- Biblical
paraphrase
- Saints’
lives
Texts:
- Pearl
- Ancrene
Wisse
⭐ 2. Prose
Middle English prose matured significantly.
A. Religious Prose
- Wycliffe
Bible
- Ancrene
Wisse
- Julian
of Norwich
B. Secular Prose
- Mandeville’s
Travels
- Chronicles
(Robert Mannyng, Trevisa)
- Malory’s
Le Morte d’Arthur
⭐ 3. Drama
A. Mystery Plays
Biblical stories.
Performed by guilds.
B. Miracle Plays
Stories of saints.
C. Morality Plays
Allegorical lessons; foundation for Renaissance drama.
D. Interludes
Short comic pieces; early secular drama.
⭐ D. IMPORTANT CULTURAL TERMS OF THE PERIOD
⭐ 1. Feudalism
Social system of medieval Europe:
- King
- Nobles
- Knights
- Peasants
Influenced romance literature.
⭐ 2. Guilds
Associations of craftsmen who sponsored drama cycles.
⭐ 3. Pilgrimage
Religious journey; a major social event.
Most famous in literature:
The pilgrimage to Canterbury in Chaucer’s Canterbury Tales.
⭐ 4. Estates
Three medieval social classes:
- Church
(those who pray)
- Nobles
(those who fight)
- Peasants
(those who work)
Chaucer’s General Prologue critiques all three.
⭐ 5. Courtly Society
Noble courts shaped literary culture:
- poetry
- music
- storytelling
⭐ E. IMPORTANT CONCEPT LISTS (EXAM-ORIENTED)
⭐ 1. Key Middle English
Manuscripts
- Cotton
Nero A.x (Pearl Poet)
- Ellesmere
Manuscript (Canterbury Tales)
- Vernon
Manuscript (religious poetry)
- Winchester
Manuscript (Le Morte d’Arthur)
⭐ 2. Key Themes List (Very
Important for TRB)
- sin
& salvation
- pilgrimages
- heroism
- chivalry
- courtly
love
- social
corruption
- divine
justice
- hypocrisy
- moral
virtue
⭐ 3. Important Middle English
Genres/Forms
- Breton
Lai
- Fabliau
- Beast
Fable
- Debate
Poetry (Owl & Nightingale)
- Vision
Poetry
- Miracle/Mystery/Morality
Plays
- Chronicle
Writing
⭐ 4. Most Important Works to
Memorize
- Canterbury
Tales — Chaucer
- Piers
Plowman — Langland
- Confessio
Amantis — Gower
- Sir
Gawain and the Green Knight — Pearl Poet
- Le
Morte d’Arthur — Malory
- Pearl
- Book of
the Duchess
- Everyman
CHRONOLOGY & HISTORICAL TIMELINE OF THE MIDDLE ENGLISH PERIOD
The Middle English period (1066–1500) spans four and a half
centuries of dramatic transformation.
I. MAJOR HISTORICAL EVENTS
(1066–1500)
Arranged chronologically.
⭐ 1066 — Norman Conquest
- William
the Conqueror defeats Harold at Hastings.
- French
becomes language of court & nobility.
- Start
of Middle English period.
⭐ 1085–1086 — Domesday Book
- Complete
record of land ownership in England.
- Shows
new Norman feudal order.
⭐ 1100–1200 — Early Middle English
Period
- English
survives among commoners.
- French
dominates literature.
- Works
like Brut, Owl and the Nightingale appear.
⭐ 1204 — Loss of Normandy
- King
John loses Normandy to France.
- English
nobles lose French lands.
- English
nationalism rises.
⭐ 1215 — Magna Carta
- Limits
king’s power.
- Strengthens
nobility and law.
- Important
for political background of literature.
⭐ 1258 — First Official Government
Document in English
- Henry
III issues proclamation.
- Beginning
of English’s re-acceptance in official life.
⭐ 1348–1351 — Black Death
- 1/3 of
population dies.
- Labor
shortage → rise of working class.
- Decline
of feudalism.
- Strong
background for Langland’s social critique.
⭐ 1337–1453 — Hundred Years’ War
- England
vs France.
- Creates
strong English identity.
- French
loses prestige.
⭐ 1362 — Statute of Pleadings
- English
replaces French in law courts.
- A
turning point for English language revival.
⭐ 1381 — Peasants’ Revolt
- Led by
Wat Tyler.
- Mass
protest against taxes and feudal oppression.
- Influence
seen in Piers Plowman and Gower.
⭐ 1385 — English replaces French
in schools
- English
becomes the medium of education.
- Strengthens
the rise of English literature.
⭐ 1399 — First English Coronation
Speech
- Henry
IV speaks in English at his coronation.
- Final
elevation of English as national language.
⭐ 1400 — Death of Chaucer
- End of
the greatest Middle English poet.
- Start
of transitional period to Renaissance.
⭐ 1455–1485 — Wars of the Roses
- Civil
war between York & Lancaster.
- Political
instability.
- Forms
background for Malory’s tragic vision.
⭐ 1476 — William Caxton introduces
printing press
- Revolutionizes
English literature.
- Standardizes
English language.
- Publishes
Chaucer and Malory.
⭐ 1485 — Publication of Le
Morte d’Arthur
- Caxton
publishes Malory’s masterpiece.
- Symbolic
end of medieval age.
- Beginning
of Renaissance influence.
⭐ 1485–1500 — Transition to Early
Modern English
- English
grammar stabilizes.
- French
influence settles.
- Age of
More, Erasmus, early humanism.
⭐ II. LITERARY TIMELINE (1066–1500)
A clear breakdown of literary developments.
⭐ 1. Early Middle English
(1100–1250)
Characteristics:
- Simple
language
- Heavy
French influence
- Decline
of Old English traditions
Works:
- Brut
(Layamon)
- Ormulum (Orm)
- Owl and
the Nightingale
⭐ 2. Central Middle English
(1250–1350)
Characteristics:
- Growth
of religious prose
- Rise of
English nationalism
- Moral
and devotional literature
Works:
- Ancrene
Wisse
- Cursor
Mundi
⭐ 3. Late Middle English
(1350–1400) — Golden Age
Characteristics:
- Major
poets emerge
- Alliterative
Revival
- Courtly
poetry
- Social
satire
Authors:
- Chaucer
- Langland
- Gower
- Pearl
Poet
Works:
- Canterbury
Tales
- Piers
Plowman
- Confessio
Amantis
- Sir
Gawain and the Green Knight
This is the central and richest period.
⭐ 4. End of Middle English
(1400–1500)
Characteristics:
- Prose
rises
- Decline
of feudal ideals
- Preparation
for Renaissance
Key Writer:
- Sir
Thomas Malory
Important Work:
- Le
Morte d’Arthur (1485)
⭐ III. TIMELINE OF MAJOR AUTHORS & THEIR PERIODS
|
Author |
Active Period |
Major Work(s) |
|
Layamon |
c. 1200 |
Brut |
|
Orm |
c. 1200 |
Ormulum |
|
Anonymous |
12th–13th
century |
Owl and Nightingale |
|
Pearl Poet |
c.
1370–1390 |
Pearl, Gawain, Cleanness |
|
Chaucer |
1343–1400 |
Canterbury Tales |
|
Langland |
1360–1387 |
Piers Plowman |
|
Gower |
1350–1400 |
Confessio Amantis |
|
Wycliffe |
1380s |
Bible
translation |
|
Margery
Kempe |
1390–1430 |
Book of Margery Kempe |
|
Julian of
Norwich |
1342–1416 |
Revelations of Divine Love |
|
Malory |
1450–1470 |
Le Morte d’Arthur |
⭐ IV. HISTORICAL CONTEXT THEMES
These background factors deeply shaped the literature:
⭐ 1. Feudalism
- provided
chivalric romance themes
- influenced
class divisions in Chaucer
⭐ 2. Church Dominance
- moral
and allegorical literature
- mystery/miracle
plays
- devotional
prose
⭐ 3. Rise of Towns
- middle
class growth
- satire
of merchants in Chaucer
- guild-sponsored
drama
⭐ 4. Social Upheavals
- Black
Death → labor movement
- Peasant
Revolt → political critique in literature
⭐ 5. Nationalism
- Hundred
Years’ War
- English
re-emerges as national language
⭐ 6. Printing Press (1476)
- makes
literature accessible
- standardizes
orthography
- preserves
Chaucer and Malory
⭐ V. EXAM-ORIENTED DATES TABLE
|
Year |
Event |
|
1066 |
Norman
Conquest |
|
1204 |
Loss of
Normandy |
|
1258 |
First English
royal proclamation |
|
1348 |
Black
Death begins |
|
1362 |
Statute of
Pleadings |
|
1381 |
Peasants’
Revolt |
|
1399 |
First
English coronation speech |
|
1476 |
Caxton’s
printing press |
|
1485 |
Morte d’Arthur published |
⭐ VI. PERIOD MAP
1100–1350
→ Religious prose, simple language, early romances
1350–1400
→ Chaucer + Langland + Gower + Pearl Poet
→ Alliterative Revival
→ Courtly poetry reaches height
1400–1500
→ Prose ages (Malory)
→ Decline of feudalism
→ Rise of Renaissance spirit
MIDDLE ENGLISH DIALECTS —
FEATURES, MAPS, EXAMPLES, AUTHORS
Middle English was not a single uniform language.
It had 5 major dialects, each with distinct pronunciation, vocabulary,
spelling, and grammar.
These dialects developed because:
- England
was divided into regions
- No
printing press until 1476
- Poor
transport & communication
- Local
identity was strong
- Norman
French influence varied by region
Understanding dialects helps students understand why Middle
English literature looks so different across manuscripts.
⭐ I. FIVE MAJOR MIDDLE ENGLISH DIALECTS
Here are the official five dialects, recognized by all linguistic
historians:
- Northern
- East
Midlands
- West
Midlands
- Kentish
- Southern
⭐ 1. NORTHERN DIALECT
Region:
- Yorkshire
- Northumbria
- Scotland
(Early Scots is derived from this dialect)
Characteristics:
- Strong
Scandinavian (Norse) influence
- Fast
loss of Old English inflections
- Use of
“a” for “I”
- EX: “a
saw him” instead of “I saw him”
- Plural
ending -s used on all verbs
- EX:
“they singes” vs. East Midland “they singe”
- Distinct
vocabulary:
Common words
- “scho”
(she)
- “tham”
(them)
- “gah”
(go)
Literary examples:
- Cursor
Mundi
- Early
ballads (Robin Hood ballads often use northern features)
- Works
from Yorkshire monasteries
⭐ Importance:
This dialect strongly influenced Scottish literature (Barbour,
Dunbar, Henryson).
⭐ 2. WEST MIDLANDS DIALECT
Region:
- Western
central England
- Shropshire,
Herefordshire, Worcester, Staffordshire
Characteristics:
- More
conservative and closer to Old English
- Kept
many old inflections
- Rich
poetic vocabulary
- Complex
alliteration patterns
Literary masterpieces:
- Sir
Gawain and the Green Knight
- Pearl
- Cleanness
- Patience
These four works show highest poetic achievement of the dialect.
⭐ Importance:
West Midlands was center of Alliterative Revival.
⭐ 3. EAST MIDLANDS DIALECT (MOST IMPORTANT)
Region:
- Cambridge
- Oxford
- London
- East
Anglia
This dialect eventually became Standard English.
Why East Midlands Became Standard English:
- London lay in
East Midland area → political & economic center.
- Universities at
Oxford and Cambridge used East Midlands dialect.
- Trade
routes along Thames spread this dialect widely.
- Most printing
houses used London English after Caxton.
- Many
major authors wrote in this dialect.
Features:
- Balanced
mix of northern and southern features
- Grammar
simpler than southern
- More
vocabulary variety
- Smoother,
more regular pronunciation
- Accepted
by courts and merchants
Major Authors Who Used East Midland Dialect:
- Chaucer
- Gower
- Langland
- Wycliffe
- John
Mandeville
⭐ Importance:
This dialect evolved into Modern Standard English.
⭐ 4. SOUTHERN DIALECT
Region:
- Areas
south of the Thames
- Sussex,
Surrey, Hampshire
Characteristics:
- Strong
Old English (West Saxon) influence
- Retained
“-en” plural endings
- EX:
“housen” (houses)
- Conservative
pronunciation
- Religious
and monastic literature common
Literary Examples:
- Ayenbite
of Inwyt (notorious for literal translation and odd spelling)
- Various
sermons & homilies
⭐ Importance:
Shows the most conservative form of Middle English.
⭐ 5. KENTISH DIALECT
Region:
- County
of Kent
- Southeastern
England
Characteristics:
- Very
distinctive vowel shifts
- Unique
spelling patterns
- Strong
survival of Old English Kentish dialect
- French
influence due to proximity to Canterbury
Used in:
- Sermons
- Monastic
writings
- Local
chronicles
⭐ Importance:
Though not dominant, Kentish is valuable for understanding linguistic
diversity.
⭐ II. EXAM-ORIENTED COMPARISON CHART OF MIDDLE
ENGLISH DIALECTS
|
Dialect |
Geographic Region |
Features |
Important Works |
|
Northern |
Yorkshire,
Northumbria |
Scandinavian
influence; -s plural verbs; “a = I” |
Cursor
Mundi, Ballads |
|
West Midlands |
West-central
England |
Alliteration;
conservative grammar |
Gawain,
Pearl |
|
East Midlands |
London,
Oxford, Cambridge |
Foundation
of Standard English |
Canterbury
Tales, Piers Plowman |
|
Southern |
South of
Thames |
Retains
-en plurals; conservative |
Ayenbite
of Inwyt |
|
Kentish |
Kent
region |
Distinct
vowels; unique spelling |
Kentish
Sermons |
⭐ III. WHY EAST MIDLAND BECAME MODERN ENGLISH
(EXPLANATION)
This is a favourite PG-TRB question.
✔ Reason 1: London became
political capital
Kings, courts, parliaments → all used London English.
✔ Reason 2: Trade & Commerce
London merchants spread their dialect throughout England.
✔ Reason 3: Universities
Oxford & Cambridge used East Midland → educated class wrote in it.
✔ Reason 4: Printing Press (1476)
William Caxton printed books in London English.
This standardised spelling & grammar.
✔ Reason 5: Chaucer’s Prestige
Chaucer wrote in East Midland; his popularity influenced future writers.
⭐ Therefore:
East Midland = Foundation of Modern Standard English.
⭐ IV. EXAMPLES OF DIALECT VARIATIONS (VERY IMPORTANT
FOR EXAMS)**
Word for “she”
- Northern:
scho
- West Midlands:
ho
- East
Midlands: she
- Southern:
heo
- Kentish:
scheo
Plural Verb Endings
- Northern:
-s (they sings)
- East
Midlands: no ending (they sing)
- Southern:
-en (they singen)
Pronouns
- Northern:
“tham” (them)
- Southern:
“hem”
- East
Midlands: “them”
These variations help examiners test understanding of dialect patterns.
⭐ V. DIALECTS & LITERARY MOVEMENTS
|
Movement |
Dominant Dialect |
|
Alliterative Revival |
West
Midlands |
|
Courtly Poetry |
East
Midlands |
|
Religious Prose |
Southern
& Kentish |
|
Ballads |
Northern |
⭐ VI. IMPORTANCE OF MIDDLE ENGLISH DIALECT STUDY
(Exam Points)
- Shows
evolution of English grammar
- Explains
diversity of medieval literature
- Helps
identify manuscript origins
- Reveals
regional cultures
- Demonstrates
how London English became Standard English
MIDDLE ENGLISH METRICS,
STYLE & VERSE FORMS
The Middle English period saw two parallel poetic traditions
developing at the same time:
- The
Alliterative Tradition (native English)
- The
Rhymed Syllabic Tradition (French & Italian influence)
Understanding these two styles is essential to understanding Middle
English poetry.
⭐ I. THE ALLITERATIVE VERSE TRADITION
Also known as Alliterative Revival (14th century), this form has
deep roots in Old English.
⭐ 1. Structure of Alliterative
Verse
A. Two half-lines
- A full
line is divided by a caesura (pause).
Example:
“On þis molde me lykes / litel to lenge”
B. Strong stresses
Each half-line typically contains two stressed syllables.
C. Alliteration
The stressed syllables of the half-lines begin with the same
consonant sound.
Example from Piers Plowman:
“In a somer season, / when soft was the sonne”
D. Few rhymes
Rhyme is rare; rhythm comes from stress + alliteration.
⭐ 2. Features of Alliterative
Style
- Rich
descriptive language
- Heavy
use of compound words and kennings
- Strong,
dramatic imagery
- Long
rhythmic lines
- Close
connection to oral storytelling
⭐ 3. Major alliterative works
- Sir
Gawain and the Green Knight
- Pearl
- Cleanness
- Patience
- Piers
Plowman
- Morte
Arthure
These works revive Old English style with new poetic sophistication.
⭐ II. THE RHYMED SYLLABIC TRADITION (FRENCH
INFLUENCE)
French and Italian influence brought rhyme, syllabic meter,
and regular stanza forms.
This tradition is seen mostly in Chaucer and the courtly poets.
⭐ 1. Key Characteristics
A. End rhyme
Lines end with rhyme rather than alliteration.
B. Syllabic meter
Poets counted syllables, especially iambic patterns.
C. Stanzaic structure
Poems organized into stanzas with fixed rhyme schemes.
D. Smooth flow
Lines are musical, elegant, and refined.
E. French poetic forms
- Rondeau
- Ballade
- Virelai
⭐ III. CHAUCER’S METRICAL INNOVATIONS
Chaucer revolutionized English poetry.
⭐ 1. Iambic Pentameter
Chaucer is the first English poet to use iambic pentameter
consistently.
Structure:
- 5 iambs
= 10 syllables
- Pattern:
da-DUM da-DUM da-DUM da-DUM da-DUM
Example (from Canterbury Tales):
“And specially from every shires ende”
This meter becomes dominant in English poetry (Shakespeare, Milton,
Pope).
⭐ 2. Heroic Couplet
Chaucer introduced the heroic couplet into English.
Structure:
- Two
rhymed lines
- Each
line in iambic pentameter
Example:
“The lyf so short, the craft so long to lerne,
Th’ assay so hard, so sharp the conquering.”
Later used by Dryden and Pope.
⭐ 3. Rhyme Royal
A major Chaucerian stanza form.
Structure:
- 7-line
stanza
- Iambic
pentameter
- Rhyme
scheme: ababbcc
Used in:
- Troilus
and Criseyde
- Parliament
of Fowls
This is one of the most elegant medieval English verse forms.
⭐ IV. IMPORTANT MIDDLE ENGLISH STANZA FORMS
Below is a clear breakdown of stanza patterns found in medieval poetry.
⭐ 1. Ballad Meter
- Alternating
4-beat and 3-beat lines
- Rhyme
scheme: abcb
Used in early ballads (Northern dialect).
⭐ 2. Tail-Rhyme Stanza
Popular in romances.
Pattern often like:
aab ccb
Examples:
- Sir
Isumbras
- Sir
Launfal
⭐ 3. Bob and Wheel (Gawain stanza)
Unique to Sir Gawain and the Green Knight.
Structure:
- Long
alliterative lines
- Then a
short bob (1–2 syllables)
- Followed
by a 4-line wheel (short rhymed lines)
- Rhyme
scheme: ababa
This creates a beautiful rhythmic contrast.
⭐ 4. Octosyllabic Couplets
Eight-syllable rhymed lines.
Used by:
- French
poets
- Early
Chaucer
- Many
romances
⭐ 5. Hymn and Devotional Stanzas
Used in:
- Pearl
- religious
lyrics
Often complex with intricate internal rhyme.
⭐ V. POETIC DEVICES IN MIDDLE ENGLISH LITERATURE
Here are the most commonly used poetic devices, with examples.
⭐ 1. Alliteration
Repetition of initial consonants.
Example (Langland):
“Fair was the field, full of folk”
⭐ 2. Personification
Common in allegory.
Example:
- Lady
Mede
- Holy
Church
- Good
Deeds
- Fellowship
⭐ 3. Symbolism
Extremely important.
Examples:
- Pearl =
innocence
- Green
Knight = nature, trial
- Pilgrimage
= life journey
⭐ 4. Irony
Chaucer’s favorite device.
Example:
Pardoner preaches against greed while being greedy.
⭐ 5. Imagery
Middle English poets used vivid images of:
- nature
- seasons
- the
hunt
- spiritual
visions
⭐ 6. Dialogue
Chaucer’s dramatic dialogues show character personality.
⭐ VI. RHYME SCHEMES IN MIDDLE ENGLISH POETRY
(Important Table)
|
Form |
Rhyme Scheme |
Example |
|
Heroic
Couplet |
aa bb cc |
Chaucer |
|
Rhyme
Royal |
ababbcc |
Troilus |
|
Ballad
Stanza |
abcb |
Ballads |
|
Tail-Rhyme |
aab ccb |
Romances |
|
Bob &
Wheel |
ababa |
Gawain |
|
Octosyllabic
couplets |
aabbcc |
Early romances |
⭐ VII. SPECIAL VERSE FEATURES OF MAJOR POETS
⭐ Chaucer
- Iambic
pentameter
- Heroic
couplet
- Rhyme
royal
- Smooth
French-Italian style
⭐ Pearl Poet
- Alliterative
lines
- Complex
stanza cycles
- Bob
& wheel (Gawain)
⭐ Langland
- Harsh,
powerful alliteration
- Long,
irregular lines
- Spiritual
imagery
⭐ Gower
- Regular
rhyme
- Moralistic
tone
- Smooth,
didactic style
⭐ Malory
- Prose,
not verse
- Rhythmic,
oral storytelling style
MIDDLE ENGLISH LANGUAGE — VOCABULARY, SPELLING, GRAMMAR &
PRONUNCIATION
The Middle English period represents one of the most profound language
transformations in the history of English. The changes were so deep that a
speaker of Old English (e.g., Beowulf poet) could not fully understand
the English of Chaucer.
I. MIDDLE ENGLISH VOCABULARY (THE FRENCH INFLUX)
Middle English vocabulary expanded massively.
⭐ 1. French Words Enter English After 1066
Almost 10,000 French words entered English.
Nearly 70% of them survive today.
Most borrowed categories:
⭐ A. Government
& Law
·
crown
·
prince
·
parliament
·
court
·
judge
·
prison
·
justice
·
attorney
⭐ B. Food &
Cooking
English animals + French meat names:
|
Living Animal
(Anglo-Saxon) |
Meat (French) |
|
Cow |
Beef (boeuf) |
|
Pig |
Pork (porc) |
|
Sheep |
Mutton (mouton) |
|
Calf |
Veal (veau) |
French-speaking nobles ate the meat;
English-speaking peasants raised the animals → hence two vocabularies.
⭐ C. Military
Terms
·
army
·
navy
·
battle
·
captain
·
soldier
⭐ D. Courtly
Culture
·
romance
·
dance
·
music
·
fashion
·
beauty
·
perfume
·
jewel
⭐ E. Religion
·
miracle
·
sermon
·
charity
·
prayer
·
religion
·
saint
⭐ F. Literature
& Learning
·
poet
·
story
·
chapter
·
literature
·
grammar
⭐ 2. Latin Influence Remained Strong
Latin continued as the language of:
·
Church
·
higher learning
·
philosophy
·
medicine
·
science
·
legal documents
Thousands of Latin words came indirectly through French.
⭐ 3. Scandinavian Influence in Northern
Dialects
Northern Middle English shows strong Norse influence:
·
they
·
their
·
them
·
sky
·
egg
·
skill
·
window
These became basic English words later.
⭐ 4. Native English Vocabulary Continued
Despite French domination, core English words survived:
·
house
·
mother
·
father
·
bread
·
child
·
love
·
hand
·
heart
These belong to Anglo-Saxon origin and form the emotional center of English.
⭐ II. MIDDLE ENGLISH SPELLING RULES
Middle English had no fixed spelling.
Causes:
·
no printing press until 1476
·
dialect variation
·
scribes wrote freely
·
French scribes replaced English scribes
Thus, spelling was chaotic and creative.
⭐ 1. Replacement of Old English letters
Old English letters disappeared:
|
Old English |
Middle English
Change |
|
þ (thorn) |
th (thing → þing) |
|
ð (eth) |
th |
|
æ (ash) |
a or ae |
|
ƿ (wynn) |
w |
So OE þæt → ME that.
⭐ 2. French scribal influence changed
spellings
Examples:
|
Old English |
Middle English |
|
cw → qu |
cwene → queen |
|
sc → sh |
scip → ship |
|
c → s (before e,i) |
cild → child |
|
u → v (initial) |
vnder (under) |
⭐ 3. Scribes introduced new spelling
conventions
·
“gh” used in words like night, light, though
(pronounced gutturally, not silent)
·
“wh” used for Old English hw
e.g., hwa → who, hwæt → what
·
“ou/ow” combinations: house, town
·
“ee/ea” combinations: see, sea
⭐ 4. Double letters used for short vowels
E.g., bitter, summer, letter.
This practice appears in Ormulum.
⭐ III. MIDDLE ENGLISH GRAMMAR (GREAT SIMPLIFICATION)
The major characteristic of Middle English grammar is that it became much
simpler.
⭐ 1. Loss of Inflections
Old English was highly inflected.
Middle English lost:
·
noun case endings
·
most verb endings
·
grammatical gender
·
complex adjectives
Examples:
|
Old English |
Middle English |
|
stan, stanas, stane, stana |
stone, stones |
|
scipu, scipas |
ships |
⭐ 2. Loss of Grammatical Gender
Old English nouns had:
·
masculine
·
feminine
·
neuter
Middle English → genderless nouns, based on meaning only.
⭐ 3. Simplification of Verb System
Old English verbs had many forms.
Middle English reduced them significantly.
Examples:
Old English endings:
·
ic drinke
·
þu drinkast
·
he drinkeþ
Middle English:
·
I drink
·
thou drinkest
·
he drinketh
Later → he drinks (Modern).
⭐ 4. Word Order Becomes Standard
Old English allowed flexible word order because of inflections.
Middle English needed fixed order:
Subject – Verb – Object
Example:
"John loves Mary"
(not "John Mary loves" as OE could allow).
⭐ IV. MIDDLE ENGLISH PRONUNCIATION
Middle English pronunciation was very different from Modern English.
⭐ 1. Every letter was pronounced
Examples:
·
knight = “k-nicht”
·
light = “lich-t”
·
gnaw = “g-naw”
·
know = “k-now”
No silent letters existed.
⭐ 2. “r” was strongly rolled
Similar to Scottish or Spanish “r”.
⭐ 3. Vowels sounded like Italian vowels
Modern English vowel shift had not yet happened.
Examples:
·
a = father
·
e = bet
·
i = machine
·
o = not
·
u = put
Thus Chaucer’s English sounded closer to European languages.
⭐ 4. Long vowels pronounced fully
Example:
·
“name” = “naa-meh”
·
“make” = “maa-keh”
⭐ 5. The “gh” sound was guttural
Like the “ch” in Scottish loch.
So night sounded like nich-t.
⭐ V. MIDDLE ENGLISH SENTENCE STRUCTURE
Examples from Canterbury Tales:
Middle English:
“Whan that Aprille with his shoures soote…”
Word-by-word:
When that April with his showers sweet…
Features shown:
·
“soote” (sweet) shows “oo” vowel
·
“shoures” shows “ou” French spelling
·
“with his” = simplified grammar
·
no silent letters
·
rhythm is musical
⭐ VI. WHY DID THE LANGUAGE SIMPLIFY SO MUCH?
1. Norman
invasion brought French scribes → grammar lost consistency
2. Intermarriage
→ simplified communication
3. Loss
of inflections due to language mixing
4. English
used mainly by commoners → tended toward simplification
5. Dialects
mixed in London → stable standard emerged
6. Printing
press later standardized forms
⭐ Result:
Middle English became a flexible, simplified, expressive language →
foundation of modern English.
⭐ Summary
·
Middle English = age of great linguistic change
·
French added thousands of words
·
Grammar and inflections reduced
·
Vowels pronounced clearly
·
No silent letters
·
Spelling was inconsistent
·
East Midland dialect evolved into Modern English

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