Ecofeministic Perspectives in Atwood’s Surfacing
Ecofeministic
Perspectives in Atwood’s Surfacing
S.Sasikala
Asst.
Prof, of English
Chidambarampillai
College for Women
Joyce
Nelson says, “Ecofeminism bridges the gap between ecology and feminism : strands
of analysis which have existed side by side over past decades without
necessarily interwining. By making
explicit the connections between a misogynist society and a society which has
exploited ‘mother earth‘ to the
point of environmental crisis Ecofeminism has helped to highlight the deep
splits in patriarchal paradigm”. (20)
This
paper attempts to take an in-depth study of Atwood’s Surfacing (1972) from an eco-feministic perspective. Atwood
forecasts the upcoming feminist wave and ecological movements in this novel. Atwood’s
themes are replete with victimization and survival of women in male-dominated
society. In her novels, she expresses
the idea that men and women are equal at every level of existence. Her protagonists’ remodify the term
‘Survival’ and emerge as a new woman. In
this context, this novel’s protagonist brings out the bondage between Women and
Nature.
The
protagonist of the novel is unnamed she is commercial artist she left her
isolated rural background and family nine years earlier, returns back to it in
finding her missing father. She is accompanied
by three friends Anna, Joe and David.
Her quest embanks on two levels-the search for her real self and the
other is alienation from the real world. She explores her psychological journey
by diving deep to the roots that leads her into the natural world.
Her
quest for her father makes her to discover herself which flashbacks her dead
marriage , the abortion, the break from her parents and the confused value of
her childhood.
In the end of the novel,
she realises she is no longer a victim of the society and gains power to face
the world.
When the protagonist encounters
nature she finds her real self is being lost.
She could also identify even the nature has been victimized by
Americans. The opening of novel states this.
The narrator is shocked to find her native place’s beauty devasted by
men. It is strange for her to see the
new roads and new routes. She expresses her deep concern for natural
surrounding as she thinks it as her own tragic reflection. She sees how her life has been received and
destroyed similar to that nature she pities the white birches death as nostalgia hits her when she finds
the old bridge replaced by a huge concrete structure.
I
can’t believe I’m on the same road again, twisting along past the lake where
the white birches are dying, the disease is spreading up from the south, and I
notice they now have sea-planes for hive(Surfacing,3)
The narrator is completely against the
environmental degradation by the technological expansions. When she reaches her native, she feels that
she is far away her place. She sensed
that everything has changed. People’s
American accent made her to think of intrusion of the foreigners in her native
land. She finds that the native is being
contaminated and spoiled by invasions.
She opines that Americans kill the nature just for fun, for recreation
and for establishing their power. She
shows her protest:
It
wasn’t the men I hated, it was the Americans, the human beings, men and women
both, They’d had their chances but they turned against the gods(15).
Like
a true ecologist ,the narrator feels hers of hurt whatever harms,she sees done
to the environment, Trees, Frogs, fish, birds triggers her good old memories
when her brother catches the frogs, she lets it out. Similarly when she sees the dead bird, she is
depressed and disgusted by the society
in killing birds. In another circumstance,
when Joe and David films the fish’s innards.
She pleads them not kill the fish .
Anna is another victim of the submissive
women in the novel. She is supposed to
be the protagonist’s best friend although she has known her for just about two
months. The relationship between Anna
and David exemplifies the male-dominated world.
As Simon de Beauvoir says, “the male world is harsh, sharp edged, its
voices are too resounding, the lights too crowds, the contracts rough”(55)
David has his own rules and treats Anna as a slave. He is unconcerned of her health and
dream. He humiliates her by taking her
nude photographs. As Petra kelly rightly
observes, “women are sex toys for men; women who assent their independence and
power are in some way defective” (118).Like nature even the female body is seen
as a resource to be colonized and commercialized. David forces Anna to fulfill
his desires He asks her to skip off her clothes for the movie Random samples. This makes Anna a helpless, powerless and
expressionless figure. When the narrator
sees this incident she thinks of her fake husband who shattered her by showing
the photographs of his wife and children.
She calls Anna as one of the
victims in the masculine world. She recalls hers “It was worse for a girl to
ask questions than for a boy” (112). In
another circumstance, the boys tie her to the tree and forgets to release her.
The novel surfacing is enriched with ecofeminism. It’s impact is laid entirely
in the character of the narrator. The
natural surroundings has strengthened her to refin and recast her. Before the narrator’s journey to the natural
world she was suppressed by the external world.
She was weak enough to face the reality.
Her ex-lover used his skill to seduce her. When she is pregnant he uses all tricks to
abort the child. She passively accepted it. She couldn’t defend herself of the
Anti-natural act. The abortion itself illustrates the ecofeminist thought,
devaluation of life-giving and the celebration of life-taking are profound for
ecology and women. For here ex-lover,
“it is simple like getting wart removed”.(185)
Atwood emphasis the fact that men
exploit the bodies of women for their needs.
They have controlled the process of child birth which nature has
assigned only to women. Her abortion created
a compassion for flora and fauna of the Quebec island. She believes nature can give solace and
solution for her degradation.”Human beings are not radically separate from
nature, that the fulfillment of our humanity is profoundly liked with learning
to appreciate the nature within us and without. (113)
The narrator accepts her pasts,
ready to confront and explore the present.
When her aborted child is surfacing within her, she can’t forgive
herself for it she confronts her own guilt over the abortion and she feels that
becoming pregnant again is an act of redemption for her.
This time I will do in myself… the
baby will ship out easily as an egg, a kitten and I’ll lick it ff and bite the
word, the blood returning to the ground where it belong; the moon will be full,
pulling. In the morning I will be able
to see it, it will be covered with shining fur, as god, I will never torch it
any words. (209)
The narrator feels a great change in
her. Her thoughts of image of division
and death is replaced by the image of
wholeness and life. She felt safe
in the environment surrounds her. She
feels:
Through the trees the sun glances;
the swamp around me smoulders, energy decay turning to growth, green fire. I remember the heron by ago it will be
insects, frogs, fish and other herons.
My body also changes, the creature in me, plant-animal sends out
filament in me, I ferry it secure between death and life, I multiply.(217)
She behaves as a natural woman. In
the beginning of the novel, she ate the
tin food where as towards the end she prefers the uncooked food. She relies on mother earth to strengthen her
physically and mentally. As she
discovers herself her journey comes to an end.
She decides to stay back in Quebe and give birth to the ‘gold fish’
glowing in her womb. She is not worried
about the sex of the child but asserts her mind to nuture the child. She says.
I
can’t know yet; it’s too early. But I
assume it: If I die it dies, If I starve it starves with me. It might be first one, the first true woman;
it must be born allowed.(250)
She
refuses to be a victim. She is determined
to face the reality and truth. The
narrator acts like an ecologist by finding total harmony with nature.
She is against technologies and invasions into the physique of mother
earth. She gains absolute freedom is the
earth like the people of olden times.
With the deep contentment she says, “The lake is quiet, the tree
surround me, asking and giving nothing.(251)
The novel deals with issues related
to the environment and feminism. The entire novel severs as a good example of
ecological feminism. The narrator
experiences transcedence in nature form the conscious to the unconscious part
of her mind. It is like a female bildsungsroman,
the immaturity to maturity or death to life.
The novel unites the two dualities of feminine world with nature and
masculine world with separation from nature.
The narrator non-violently protests the male-dominated society and
wishes to maintain a cordial relationship between man and woman.
WORKS
CITED
Atwood,
Margaret. Surfacing. London: ViragoPress,2009.
Beauvoir,
Simonde. The Second Sex. Tr. Edited by H.M. Parshley. Penguin Books, 1949.
Kelly,
Petra, “Women and Power” Ecofeminsm:
Women, Culture, Nature. Ed Karen
J.Warren Bloomington and indianpolis : Indiana University press, 1984.
Joyce
, Nelson “Speaking the unspeakable”, Canadian
Forum, March 1990.
Wimsatt,
Margaret, “ Surfacing’ Commonwealth, 7 Sept, 1973.
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