ODE TO AUTUMN – JOHN KEATS
ODE TO AUTUMN – JOHN KEATS
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“To Autumn” was composed on 19 September 1819
and published in 1820 in a volume of Keats’s poetry that included Lamia and The
Eve of Saint Agnes.
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It is the final work in a group of poems known
as Keats’s “1819 odes”.
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Although he had little time throughout 1819, he
was suffering from a multitude of financial troubles throughout the year,
including concerns over his brother, George, who, after emigrating to America,
was badly in need of money. Despite these distractions, on 19 September 1819 he
found time to compose “To Autumn”.
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The work marks the end of his poetic career.
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Keats’s declining health and personal
responsibilities also raised obstacles to his continuing poetic efforts.
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On 19 September 1819, keats walked near
Winchester along the river Itchen.
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In a letter to his friend John Hamilton Reynolds
written on 21 September, keats described the impression the scene had made upon
him and its influence on the composition of “To Autumn”.
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The poet knew in September that he would have to
finally abandon Hyperion. Thus in the letter that he wrote to Reynolds, keats
also included a note saying that he abandoned his long poem.
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Keats did not send “To Autumn” to Reynolds, but
did include the poem within a letter to Richard Woodhouse, keats’s publisher
and friend, and dated it on the same day.
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A little over a year following the publication
of “To Autumn”, keats died in Rome.
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Harold Bloom, in 1961, described “To Autumn” as “the
most prefect shorter poem in the English language”.
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The poem has three eleven line stanzas which
describe a progression through the season, from the late maturation of the
crops to the harvest and to the last days of autumn when winter is nearing.
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It is the season of the mist and in this season
fruits are ripened on the collaboration with the sun.
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Autumn is a close friend of the sun.
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Autumn loads the vines with grapes, apples with
juice, flowers with honey, hazel-shells with mellow.
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Autumn has been personified and compared to
women farmer sitting carefree on the granary floor; there blows a gentle breeze
and the hairs of the farmer are fluttering.
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Autumn is personified as winnower, gleaner and
cider-presser.
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Keats feels the absence of the songs of spring. He
overcomes this by listening autumnal music.
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The sound of gnats, lamb’s sound, chirping of grasshoppers
and twittering of Swallows are autumn’s music.
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The poet advises autumn not to be jealous of
spring.
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He describes in his three stanzas, three
different aspects of the season: its fruitfulness, its labour and its ultimate
decline.
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Through the stanzas there is a progression from
early autumn to mid autumn and then to the heralding of winter.
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Parallel to this, the poem depicts the day
turning from morning to afternoon and into dusk. These progressions are joined
with a shift from the tactile sense to that of sight and then of sound,
creating a three-part symmetry which is missing in Keats’s other odes.
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It is written in iambic pentameter with five
stressed syllable to a line, each usually preceded by an unstressed syllable.
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Keats varies this form by the employment of
Augustan inversion, sometimes using a stressed syllable followed by an
unstressed syllable at the beginning of a line, including the first: “Season of
mists and mellow fruitfulness”.
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The rhyme of each stanza with ABAB pattern which
followed by rhyme scheme of CDEDCCE in the first verse and CDECDDE in the
second and third stanzas. In each case, there is a couplet before the final
line.
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Keats calls the urn a beautiful piece of Greek art.
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“Thou still unravished bride of quietness”-
opening line of thepoem.
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“Heard melodies are sweet, but those unheard are
sweeter”, “Beauty is truth, truth beauty- that is all”, “when old age shall
this generation waste Thou short remain in midst of otherwise” – most famous
lines of the poem.
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Keats says that the urn is a friend to man.
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The theme of maturity, the ripeness is of all are
the themes of the poem.
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Personification is often used in this poem.
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