SONNET - 24 SUMMARY
Sonnet No 24:
Mine eye hath played the painter and hath steeled,
Thy beauty's form in table of my heart;
My body is the frame wherein 'tis held,
And perspective that is best painter's art.
For through the painter must you see his skill,
To find where your true image pictured lies,
Which in my bosom's shop is hanging still,
That hath his windows glazed with thine eyes.
Now see what good turns eyes for eyes have done:
Mine eyes have drawn thy shape, and thine for me
Are windows to my breast, where-through the sun
Delights to peep, to gaze therein on thee;
Yet eyes this cunning want to grace their art,
They draw but what they see, know not the heart.
When the poet writes in
Sonnet 24 of finding "where your true image pictured lies," he
focuses on a meaning of "true" in the sense of genuine as opposed to
counterfeit. The young man's beauty is often cast as a shape or appearance. Paintings,
pictures, visual images, forms, shadows, reflected shapes, and perspective -
all of these allude to the impression that the youth's true image is, in fact,
a mirage. The first eight lines are an extended metaphor of the poet as a
painting onto which the youth's image is painted is the very kind of writing
the poet criticizes elsewhere. But the poet is defining what he sees as he
discovers its power over him, almost as if love itself is the creation of a
need in oneself where none previously existed. The poet's gazing at the youth
in adoration impresses the image so indelibly upon his heart that the result
becomes a private fantasy, totally self-induced, which allows the poet to
possess the youth's beauty. In effect, their two personalities are combined; By
praising the youth, the poet flatters himself as well. However, the concluding
couplet raises doubts once again as to how authentic the poet’s depictions of
the young man are, and also of how important the young man's physical
appearance is as a reflection of his inner feelings and personality. "Yet
eyes this cunning want to grace their art" means "But because my eyes
sce much beauty in the young man, I want to show his physical appearance
beautifully" and they draw but what they see, know not the heart exposes
the limits the poet's truly getting to know the young man in any way other than
through physical attraction. Ultimately, the poet's sonnets are limited in how
much of the young man they can portray. The youth is presented as only a
surface reality, with no depth of character.
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